Brian Stokes Mitchell Quotes

I would like a shot at Broadway.

Broadway was weird.

I worked with a lot of leading ladies: Bebe Neuwirth, Anne Rankin, Bernadette Peters, Liza Minnelli. They're all phenomenal talents.

'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.

The most rewarding thing is being on Broadway. I went into Cabaret as a replacement and was really challenged beyond anything I could have imagined.

I would like to play Broadway!

I remember when I was in 'Matilda,' we would have interviews in the day, and then we'd go to a show, and it's just, like, absolutely insane.

I really would like to be on Broadway someday.

It takes a damn village to get a show on Broadway!

I should be on Broadway. You have to sing, you have to dance, you have to speak well, and I'm good at all of those!

I'm convinced whenever something opens on Broadway, it's a miracle. It's a miracle that people survived.

My first dream was Broadway.

I would love to do Broadway again.

A musical takes two to five years. You have to love it to put in the years.

I like to act with people that know what they're doing.

I did a musical that I don't think anybody ever saw, called 'One Shining Moment,' and in that cast was Megan Mullally and Kevin Anderson.

I like singing as much as I like acting, and all through high school I thought I might be a Broadway singer.

I was always daydreaming about singing in big productions on Broadway.

I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.

When I found out that they were doing a revival of 'Annie,' I decided to audition just for fun and see how it turned out. So I auditioned, and I got a callback after callback after callback. And I just wanted to be a part of the show; I didn't care what role.

Comedy is like music, and the way to make the best music is to have skilled musicians in your band.

I want to be like Sutton Foster, Kristin Chenoweth or Anne Hathaway and do everything that has to do with performing.

Anyone who has been given the gift of being opposite an actor who gives and gives, it just makes you better.

Playwrights are the most gregarious writers - to get our work done, we need actors, directors, set designers.

Even great actors shine brighter in the right atmosphere.