George Brett Quotes

I don't like the designated hitter. A guy who plays should be able to catch and hit.

I made the varsity team as a freshman at 15. Then, I tore a tendon and never fully recovered. I was a shortstop, then third baseman, then second baseman.

To be honest, from England Under-16s, through the 17s and 18s, really all the way through my youth career, I played at centre-half. For some reason, when I made my debut at Everton, I just played in central midfield, and it went from there.

In modern day football, you've got to play in different positions. I've played in numerous positions, apart from centre-back and goalkeeper, I think.

As a rookie, I had changed positions. In college, I was a quarterback, and I had never played other positions.

I like that the pitcher hits. I think that my feeling is that everybody should play a position. In order to hit, you have to play a position. That's just my view of it. I feel that's more baseball, and the games are managed different. I enjoy the National League, how it's played.

Once I reached about 14 or 15, I started to steady myself and get into a midfield role and carried that on until I was 17. Then I dropped into right-back, and I have played there ever since.

There is nobody called Test bowler, one day bowler or T20 bowler. It just how you adapt and make a difference to your own game.

When I arrived at Benfica I'd been playing like a No. 10 in the team, but the first thing the coach did was tell me: 'You are going to be a defensive midfielder here.'

If you get a career-threatening injury your career is done and you need something to fall back on. But if it wasn't for football I would have played rugby, if it wasn't rugby it would have been basketball and I would have just gone through all the sports.

I think it's the hardest part for about 80 percent of the guys in the NBA. That's just the way it is in the NBA, unless you're a mega superstar. You're just going to play wherever you go. You try to find the right fit and the right team with the right system and the right coach at the right time.

Eventually, I think I'll probably end up at centre-half. By the time I get to 28 or 29, I imagine I'll be a defender.

Taking the best left-handed pitcher in baseball and converting him into a right fielder is one of the dumbest things I ever heard.

Sport is the only profession I know of that when you retire you have to go to work.

I'm going forward with my plans for life. I'm looking at things not only basketball-wise, but personal-wise.

I could do a thousand films that are easy for me to do-that's if I don't fall in the next year, because everyone's about to fall. What's so funny is you look at all us young guys and we're already thinking, Well, I'm going to branch out into directing, and it's all going to be this and that.

To leave positions of great responsibility and authority is to die a little, but the time comes when that must be faced.

I went through a phase where I was sick of acting, I didn't want to do it anymore, I was bored with it and then I tried directing a movie and I was like: "Shoot, get back over there!" It made me appreciate acting more.

Too few journalists become screenwriters. I say to all the would-be screenwriters: Become journalists. And I’ll say to working journalists: Do not stay journalists. Become screenwriters.

I was terrified of graduating college and not knowing what I was going to do. I saw the auditions for Idol and thought, Why not? I always liked to sing. You know when they asked, "Are you the next American Idol?" I said yes, but I didn't mean it.

I'm really focused and committed to teaching now. Maybe when I'm about 30, which is in 10 years, I would like to consider doing something like speech therapy. That's what I really would like to do. I could go and do that now but it's not my drive at the moment. My drive is acting right now.

I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.

I was a writer first, and knew I'd be a storyteller at age seven. But since my parents are very practical, they urged me to go into a profession that would be far more secure so I went to medical school. But after practicing medicine for a few years, while raising two sons (with a husband who was also a doctor) I realized that combining medicine with motherhood was more of a challenge than I could handle. So I left medicine and stayed home. And that's when I once again picked up the pen and began to write.

Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.

I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.