Hank Williams Jr. Quotes

I love polished pop music, but stuff like Neil Young's Crazy Horse vibe or Waylon Jennings, that stuff is raw and real.

The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.

Country music is completely punk-rock. It's the original punk-rock.

My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.

A lot of my music is very roots-oriented, and that's country and soul. I've been in every roadhouse in the South, soaking in all of that... Nashville is like a second home to me, and I'm just gravitating toward the songs.

My favorite bands are Hank Williams Jr. and Led Zeppelin. When it's rock, it's '70s rock, and when it's country, it's '70s country. For me, it's the grit and dirt of music that I love so much.

A lot of my friends, they think I grew up to rock and roll, but I didn't. I grew up to Hank Williams, Jimmy Reid, Howlin' Wolf, listening to a race record, blues.

I always want to have the traditional country soul while meeting the new standards of country music.

Rock was born in the South, so saying 'Southern rock' is like saying 'rock rock.'

The South just keeps right on playing good time Southern music.

One thing that I love about country music, probably more so than any other culture - maybe the blues rivals it - there are so many American folk heroes. There's the Coal Miner's Daughter, the Man in Black, the Red-Headed Stranger, and on and on.

I don't really listen to pop-country, but I like really, really old country that's closer to folk. Like Johnny Cash, who is considered country.

I grew up listening to Patsy Cline. I was a huge Patsy Cline fan. I still am. Even though she's considered country, I think of her more as a blues singer. She's got a great blues voice, and she has such an amazing story, which I always loved.

Knowledge and power in the city; peace and decency in the country.

I'd like to get something together - like a Handel, Bach, Muddy waters, flamenco type of thing. If I could get that sound, I'd be happy

I've always felt that blues, rock 'n' roll and country are just about a beat apart.

I forget what the official name of it was, but they did an all-day of roots music - every kind of music you can imagine from around the country - New Orleans Jazz to Indian flute players, R&B, you name it. I met and became good friends with (blues guitar player) Joe Louis Walker. He was on the show.

I’ve been thinking about that question about what city people can do. The main thing is to realize that country people can’t invent a better agriculture by ourselves. Industrial agriculture wasn’t invented by us, and we can’t uninvent it. We’ll need some help with that.

I walk to Oxford Street and climb on the number 8. It's freezing and it starts to rain and it's the ugliest bus I've ever seen, rattling down the ugliest streets, in the ugliest city, in the ugliest country, in the ugliest of all possible worlds.

Up north, you could find these radio stations with no name on the dials that played pre-rock 'n' roll things - country blues. We would hear Slim Harpo or Lightnin' Slim and gospel groups, the Dixie Hummingbirds, the Five Blind Boys of Alabama. I was so far north, I didn't even know where Alabama was.

In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.

You weren't supposed to hear Elvis Presley. You weren't supposed to hear Jerry Lee Lewis. You weren't supposed to hear Robert Johnson. You weren't supposed to hear Hank Williams. And they told the story of the secret America.

I think pure country music includes rock and roll .. I've never been able to get into the further label of country-rock .. how can you define something like that ? - I just say this: It's music. Either it's good or it's bad; either you like it or you don't

I'd like to be in the country so that I'd could like being in the city.

How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.