Finn Wolfhard Quotes

When I begin, theoretically and practically I can smear anything I want on the canvas. Then there's a condition I have to react to, by changing it or destroying it.

I allowed artists to play for as long as they felt they could justifiably continue to create.

I'm having fun just being a musician as well as an artist at this point.

Being on my own in a studio is really, really different than making music with the band. I can't say I necessarily enjoy it more, but it was just a new experience for me.

I didn't really even think of recording under my own name for a long time. I thought, 'I've got the rest of my life to do that.'

Maybe I'll have something out by Christmas, maybe not. I don't know, I'm really trying to take my time and do what feels right. (about the next step in her music career)

I made a lot mistakes that I'm grateful for, because I won't make them again and I won't let my artists make them, or I'll tell them, 'Don't do this.' A lot of them still make them anyway, but you can't be told things when you're doing your own thing.

There are right and wrong reasons for doing solo projects, and this album was done for the right reasons. At the time there was no Judas Priest and I certainly wasn't going to hang my hat up on my musical career.

I am here on Earth to express myself, and the many media of art are my magic carpets that allow me the freedom to do so.

I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem.

When you're an artist, all you're trying to do is self-express.

The first album I started out, I just did everything completely alone. I think it has to do with confidence. The more confidence you develop in your own sound, the more you can open up and alchemize that with other people, just set it free, and not feel challenged by that.

I believe in creative control. No matter what anyone makes, they should have control over it.

In terms of music, I can try anything I want, even something that doesn't work at all, because I'm not putting my career in jeopardy.

Artwork is not like a commercial business; there is no such thing as a schedule for art. You can't hurry art.

Anybody that has followed closely what I've been doing can see from 'Home,' being as big a hit as it was, it kind of opened the door for me to try new things musically.

I've always said I'm more influenced in what I do by artists, and how they work, how they think, and the freedom they're given to work and think, than I really am by other writers.

I make the kind of music I like.

I was raised around a lot of artists, musicians, photographers, painters and people that were in theater. Just having the art-communal hippie experience as a child, there wasn't a clear line that was drawn. We celebrated creative experience and creative expression. We didn't try and curtail it and stunt any of that kind of growth.

I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.

It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.

I do love being solo because I can have more of my own creative input to every aspect of my career.

There's a good many pictures I'd like to make; we'll see how many I'll be allowed to make.

PowerPoint may not be of any use for you in a presentation, but it may liberate you in another way, an artistic way. Who knows.

I think that was the whole idea behind doing the solo record was to be able to do musically whatever I wanted to do.