Ali Fazal Quotes

I really respond to diversity, a broader landscape, with actors of different ages and races and backgrounds.

I was cast in 'Thor' and I'm cast as a Nordic god. If you know anything about the Nords, they don't look like me but there you go. I think that's a sign of the times for the future. I think we will see multi-level casting. I think we will see that, and I think that's good.

I just want different narratives for people of color, especially women of color. I just want something that's different. I don't want us to be put in a box. I want it to be kind of a redefinition of who were are. If I can even achieve that in a tiny way, I'll be good. I'll be good.

I'm just trying to stretch the public space wider and make it more open so that a wider variety of people and faces and stories and perspectives and also expertise can come through. So everything that I do rests on that, trying to support on other voices.

I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.

My 'Vogue' is about being inclusive; it's about diversity. Showing different women, different body shapes, different races, class. To be tackling gender.

For me, I want to see diversity in storytelling sources because we live in a very diverse society, and the stories are for the whole society. That's really important. For me, as a female filmmaker, when I was out on the festival circuit on 2006, I felt like such a freaking anomaly - an oddity.

I feel a responsibility to continue creating complex roles for black women, especially young black women.

I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.

America is grappling with cultural diversity, and I just want to put a show on that represents the world in which I live.

I find it very interesting these days that films are bringing in so many people of different ethnicities, and I'm proud to be a part of that cultural shift.

In the long run, we will need many more African-American, Latino, and Native American leaders, and leaders from low-income communities, who can bring additional insight and a deeply grounded sense of urgency, and who are the most likely to inspire the necessary trust and engagement among students' parents and community leaders.

As an Asian-American actor, I believe it is important to never settle for the status quo. I feel a responsibility to do everything in my power to create positive perceptions of Asian Americans through my work.

The challenge facing America in the next century will be the shaping, at long last, of a truly common public culture, one responsive to the long silenced cultures of color.

America must be a nation in which its multiracial people are partners in power.

While books expand horizons by exposing us to worlds outside our own, children also need to see themselves, their experiences and their cultures reflected in books they read. Unfortunately, for too many children, this is not the norm.

I think it's time that we had a dad of Middle Eastern descent on TV. The time is ripe for the Middle Eastern 'Cosby Show.' Or, as I like to call it, 'The Mazby Show.'

In England, you feel like a member of the revolutionary guard the minute you even mention race. But I do think that the OscarsSoWhite phenomenon will have to reflect back on England. What people are essentially saying is that they want to see more diverse stories. It's not about putting three black people in the back of the shot.

Often, when you go to the movies or the theatre, you think, Jesus Christ, everybody is white. But my daughter goes to an amazing dance school called Ballet Black, and they have every colour: dark, white, mixed. It looks like the future to me.

I feel like fashion is making steps toward diversity, but I think they could do more.

We want the diversity of the world that is around us represented both in front of and behind the camera, and on our screens as a result.

There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.

In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.

I've heard people say, 'Why do you have to do a show that's called 'Black Girls Rock'?' or 'Why is there an expression called 'black girl magic'?' You know, when you say, 'Save the dolphins,' you don't mean, 'I don't like whales.' That's just not the way it works!

Cyborg represents not just people who are differently abled: he is also a representation of the black community and people of colour within the Justice League. Being able to don both those mantles with the integrity which that character would need to be portrayed and was adhered to was something that was very important.