Loren Eiseley Quotes

A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

Beatle bones and smokin' stones the dry sands fall.

Nothing teems But hateful docks, rough thistles, kecksies, burs, Losing both beauty and utility.

What matters most has an ultimate metallic quality of death. The chasuble and the wagon wheel, the razor and the prickly beards of shepherds, the bare moon, a fly, humid cupboards, rubble piles, the images of saints covered in lace, quicklime, and the wounding edges of the rooflines and watchtowers.

I am alone on this road strewn with bones and bordered by ruins! Angels have their brothers, and demons have their infernal companions. Yet I have but the sound of my scythe when it harvests, my whistling arrows, my galloping horse. Always the sound of the same wave eating away at the world

To say nothing is out here is incorrect; to say the desert is stingy with everything except space and light, stone and earth is closer to the truth.

Statues lined the stairs and stood, dotted across the roof. But they had been brutalized by time and the weather. Some were missing arms. Many had no faces. Once they had been saints and angels. Two hundred years standing in London had turned them into cripples.

Thus is the fruit of the Earth taken, its flesh torn. Thus is it given over standing, toward rot. It is the principle of corruption, the death of what is, the birth of what is to be. You are wine.

The gray-green stretch of sandy grass,Indefinitely desolate;A sea of lead, a sky of slate;Already autumn in the air, alas!One stark monotony of stone,The long hotel, acutely white,Against the after-sunset lightWithers gray-green, and takes the grass's tone.

If anything is endemic to Wyoming it is wind. This big room of space is swept out daily, leaving a bone yard of fossils, agates, and carcasses in every stage of decay. Though it was water that initially shaped the state, wind is the meticulous gardener, raising dust and pruning the sage.

You like it under the trees in autumn, because everything is half dead. The wind moves like a cripple among the leaves and repeats words without menaing.

The wind kicks in stronger, branches clatter. Or maybe skeletons. Bones of abandonment. Ghosts that will never be.

I think we are in rats’ alley Where the dead men lost their bones.

On that gray street, with the smell of industrial smokes in the air and the afternoon bleeding away to evening, downtown Derry looked only marginally more charming than a dead hooker in a church pew.

And voices singing out of empty cisterns and exhausted wells.

What man calls civilization always results in deserts.

The Sahara was a spectacle as alive as the sea. The tints of the dunes changed according to the time of day and the angle of the light: golden as apricots from far off, when we drove close to them they turned to freshly made butter; behind us they grew pink; from sand to rock, the materials of which the desert was made varied as much as its tints.

How do our lives ravel out into the no-wind, no-sound, the weary gestures wearily recapitulant: echoes of old compulsions with no-hand on no-string: in sunset we fall into furious attitudes, dead gestures of dolls.

An old house with its windows gone always makes me think of something dead with its eyes picked out.

There is a moon shaped rictus in the streetlamp's globe where a stone has gone and from this aperture there drifts down through the constant helix of aspiring insects a faint and steady rain of the same forms burnt and lifeless.

You behold a range of exhausted volcanoes. Not a flame flickers on a single pallid crest.

The dreariest spot in all the land to Death they set apart; with scanty grace from Nature's hand, and none from that of Art.

Not a single star will be left in the night. The night will not be left. I will die and, with me, the weight of the intolerable universe. I shall erase the pyramids, the medallions, the continents and faces. I shall erase the accumulated past. I shall make dust of history, dust of dust. Now I am looking on the final sunset. I am hearing the last bird. I bequeath nothingness to no one.