Ishmael Reed Quotes

I grew up in the South, in New Orleans, where guys torture you all the time. So I didn't really grow up on the self-esteem campaign. When you were lousy at something, they told you you were lousy, and they told you how to fix it.

The definition of gumbo is almost as slippery as that of Creole. Just as gumbo can contain pretty much any kind of meat or seafood, Creole is a vague and inclusive term for native New Orleanians, who may be black or white, depending on whom you're asking.

I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor.

One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.

Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.

A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.

Most people don't know that Congo Square was originally a Muscogee ceremonial ground... in New Orleans, the birthplace of jazz.

The only thing we try and do is just be a part of the gumbo that New Orleans is.

I think The Meters are like The Beatles to us in New Orleans, you know.

You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.

My dad always pointed out Louis Armstrong's pad when we passed by there. And me and my dad were both proud Louis Armstrong was from New Orleans.

I love New Orleans. I love jazz. I grew up practicing jazz piano, and that's just been such a cool genre to me. There's a lot of talent there.

I've lived so much life as a young man. New Orleans, we got terms, and one's like, 'He jumped off the porch early.' That's kind of what happened to me. I had to grow up really quick.

My brother Art was a doo-wopper. He had a group that sat out on a park bench in New Orleans and sang harmonies at night, and they'd go around and win all the talent shows and get all the girls, you know.

Most Americans never work as hard as when they're trying to appear normal, and in New Orleans, we just don't bother with that.

As a kid, I would wake up, and there'd be a jazz funeral while I'm walking to school. And when I come home, you can find Rebirth band playing for a birthday party the same day.

My mom is from New Orleans. And all of my maternal relatives were there during Katrina. We couldn't even find my uncle for four months. We literally didn't know where he was. I had been there just four days before the storm hit.

No matter what setting I play in, I will always be New Orleans. It's one of the only cities where you can hang out with the Marsalis family, the Neville brothers, whoever it might be, and we all play together.

At the end of the day, I'm a New Orleans musician. Whatever that means.

People don't play music in New Orleans for the reasons they do in Nashville or L.A. - to become stars or to get rich - they play because they've got to. It's in the streets, in their family, in their blood.

I live in New Orleans part of the year, and it's a really fun eating town. I bought two homes there, one to live in and one as an investment. They love to eat, drink and dress up in costumes. There are so many reasons to dress up - Mardi Gras, Halloween, Southern Decadence.

Where Charlie Christian left off, Papoose started a new thing; he was an innovator of the guitar. The things he did during his recording career with Fats Domino in the Fifties and Sixties until the day he died was as much a part of the music of New Orleans as anybody else has had to offer.

In 1996 I was working on a play in New Orleans, and they needed a drag queen. I offered to play the role. That led to guest appearances at bars, which led to regular appearances at bars, which led to hosting. I eventually started working six days a week in bars before moving to N.Y.C.

I'm steady trying to make this bounce stuff mainstream and do some wonderful and great things for the culture of New Orleans.

For me, I haven't found New Orleans too creepy.