Jim Sarbh Quotes

'ABCD' is a very good film - the story, the production value - everything is excellent.

There's always room for a story that can transport people to another place.

'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right? I had a blast, and the film is a very, very well put together movie - from the director to the writing the cast.

I love writing but not crazy meticulous/prepared enough to be a director. I'd work as a gaffer on something.

I will direct one day. I need some more life experience before I feel like I can do something like that comfortably. It'd be a feature, it'd be something maybe that I had in writing as well.

You can have a bunch of great actors in a film, but if you don't have anyone telling a great story, it's a moot point.

Directing is a unique endeavor where you are in charge of so many people. As a writer, it is sort of the opposite.

'Liberace's a great film. It's a great piece of material. I have a great script and it's a great score.

When you're playing a supporting character, you don't really have a lot of control of the quality of the film.

Yeh Tera Ghar Yeh Mera Ghar' is a well made film.

I have done 'Shivalinga' because I liked the story. My character, especially, is very impressive.

I can assure you that 'Humraaz' will not disappoint.

Good films with great content is what I dream about.

When your principal artists deliver convincing performances, the film's quality is elevated.

I can't watch a movie where the actors are great and the photography sucks.

In 'Sanju,' there are too many colours. Some other filmmaker could have taken a dark side to that story.

A novel is both a story and a piece of writing. A movie is a story and a piece of filmmaking.

It really doesn't matter whether it's an ensemble cast or it's a lead or what is perceived as a commercial or non-commercial or an offbeat film. None of that would matter, what really matters is the story and who's telling the story.

I don't see anything wrong with my films in 2016, except maybe 'Kadalai' and 'Parandhu Sella Vaa.' I did do a lot of different roles.

No film survives because of a big name. If a film has to survive generations, it will survive on its content and craft.

No actor can rise above the script of the film.

The script and the performances and the style all clicked.

Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.

Cinematography is a writing with images in mouvement and with sounds.

For me, it's always filmmaker and then character and then story. They're all equally important but if you don't have a great filmmaker, you will not have a great film unless you just get lucky.