Tabrett Bethell Quotes

In theatre, you've got to make the connect with your audience in the first three minutes. If you haven't, you know you've almost lost them.

I feel so much feedback in a very profound way from the 10,000 people who are listening to me, watching me. I just get this deep sense of what works and what doesn't work.

If you can't move the audience, they don't want you.

I love connecting with the audience, and there's more ways than one to do that.

Action is drama. If we cannot make the audience laugh, smile or cry with us, we are not actors.

I would love to do more on the stage; having actual contact with the audience is great. You can give them a good seeing to!

From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.

You have to captivate and entertain if you want your message to get across.

It doesn't matter how good you are, it's about connecting with your audience. It doesn't matter how technically good you are, if nobody wants to watch you then you're no good to anybody.

It doesn't matter as long as there's interaction between me and the audience. That's why they come.

As long as my music is real, it's no limit to how many ears I can grab.

Every time I reach a new audience, that means I'm doing something right.

Anytime you get an audience that's paying attention, you enjoy it more.

I'm at my best when I'm being genuine and sincere, and reading my material straight up to an audience that wants to listen.

I'm very proud of my roles. I enjoy the ability to touch millions of people and, in some way, connect with them in ways that I cannot connect with them in my normal, everyday life.

I do not play to musicians. I play to the people.

If our message reaches the kitchen tables, we are in good shape.

When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.

If the beat gets to the audience, and the message touches them, you've got a hit.

I don't know if I ever really considered making a connection with the audience.

The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.

One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.

I just feel like content is content; people want to see it resonate.

You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.

I'm trying to communicate here. I'm a communicator, I like to communicate, and if a million people buy it then we've touched a million people, if only 10 people buy it, then we've only touched 10, and that's important, because I'm satisfied with only 10. But, I love a million.