Varun Tej Quotes

I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.

Since the first 'Singham,' many films have that kind of action. So we have to work harder to create something new.

The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.

I like to present something that the people haven't seen or haven't heard before. Otherwise they might as well just stay home and play the record.

I want to give the audience the whole package, and for me, the whole package is to give them something fresh as well. It's not as much fun resting on your laurels.

I realized I had something new to say, something that wasn't already out there.

I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.

It's difficult, very difficult to create something new every time in this space of horror and scare people every time.

I have a lot of maneuvers in my back pocket, so to speak. And to me, the thing is to always surprise the audience so they're always seeing something new, and not just get stuck in the same rut.

I constantly want to do something new and surprise the audience.

I love fresh ideas and want to do films which offer something new.

Artists are always looking for new things and fresh ground and fresh air. If it feels new to me, there's a chance it'll feel new to the audience and we'll have found something.

Some of the Hulk movies have been merely okay. I think the thing to do... there has to be some stab that makes it something we haven't seen before.

The challenge for me is still to do something that hasn't been beaten into the movie going consciousness. Otherwise what am I in it for?

I don't consciously try to make things difficult as much as I try to make them a little different. I like all kinds of laughs. I tried to make a show that elicit groans, guffaws, chuckles, boos.

I'd rather play here in this small bar and just do a good show. Because it's fun and there's no expectations, it's encouragement to be different, do something new.

I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.

Make something new, and define territory that's never been. I fall in love with shows because I've never see that before. I fall in love with new vocabularies.

There is no subject so old that something new cannot be said about it.

People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.

I think we're giving people something new that people didn't know was out there before.

A lot of producers and creative types want to see you be you. Throw something else out there and show them where you would take this part. A lot of them are launching shows for the first time, so they've got a lot riding on this, too, and they want you to be their flight.

In the writing of memoirs, as in the production of shows, too much caution causes the audience to nod and think of other channels.

The minute you start assuming that the audience is very happy to see the same show again, you're dead.

Each gig should be unique. You're always treading that line between keeping yourself fresh and giving people something they want to hear.