Platon Quotes

If you've got good chemistry at the top, it's an enormous help. It's easy to have good chemistry with some, not so easy with others. With [Robert Mugabe], for example.

I've got soft features, curly hair with blonde bits and dimples. People think of me as a singer, an entertainer, someone who's always there with a ready smile.

I know very well that I can never look like PM Modi.

Lady Jaye and I always thought black eyes were really sexy.

I always take photos from my left side because my jaw line is stronger.

If you met Faith Hill in person, you would think she's absolutely beautiful. And when you take her picture, you will see every flaw that you never saw in person. Those flaws not only become visible but magnified.

I really prefer light-eyed models, They photograph more easily. Of course, I come from a light-eyed background, so maybe that influenced my taste.

The first thing that I see in a woman are her eyes. Sorry, it sounds shallow, but eyes say a lot about a person.

Karl Khandalavala was a very handsome and a good-looking man and used to take care of himself. He was an extremely sharply dressed individual.

I wish I was always photogenic.

It's hard sometimes because people don't take a model seriously in any sense. Unless she's taking a photo, that's as good as she is.

In the late 1990s, Mugabe's misguided policies sent our economy and agricultural productivity, our country's lifeblood, plummeting into the abyss. To make up for the financial shortfall, his regime attempted to print its way out of the mess, immediately resulting in inconceivable hyperinflation, topping out at 231 million percent.

I shoot swimsuits and lingerie all the time, so I want to make sure I'm in the best shape. It makes me want to work out harder than usual.

I see through my eyes; the camera is just a machine to record it for me.

Eyes are bold as lions,--roving, running, leaping, here and there, far and near. They speak all languages. They wait for no introduction; they are no Englishmen; ask no leave of age or rank; they respect neither property nor riches, neither learning nor power, nor virtue, nor sex, but intrude, and come again, and go through and through you in a moment of time. What inundation of life and thought is discharged from one soul into another through them!

I don't take the camera out with me. My eyes are the camera for me every day.

In photographing dwarfs, you don't get majesty & beauty. You get dwarfs.

Kim Jong Un shaved his eyebrows and got his hair sticking right up. How would you like the leader of your country looking like Lady Gaga? Even Dennis Rodman told him he looks weird.

She's only pretty in that she has two small black eyes and a good figure.

My peer would have to be dark-haired and handsome, a wonderful dancer... and he would never ask permission before he kissed me." -Lillian Bowman

My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues. But whenever I become absorbed in the beauty of a face, in the excellence of a single feature, I feel I've lost what's really there been seduced by someone else's standard of beauty or by the sitter's own idea of the best in him. That's not usually the best. So each sitting becomes a contest.

In my life, I don't wear makeup, I don't care about any of the trappings of the "feminine," or how I look in photographs. To me, it's irrelevant, which I think is really shocking to people in the industry that I'm in, because it's like, "You should always look good", but I honestly don't care. It's not important to me.

There's something about his eyes in the photo. A kind of mystery. His personality comes through. It's always hung on my walls and I've given it to many people as a present. (On his iconic photo of Che Guevara)

I make the woman look at the camera as a symbol of all the eyes that will see the picture I am making.

You’re nice to me because you think I’m pretty?” “And because you have brown eyes. I’m a sucker for big old brown eyes.