Britt Daniel Quotes

Stopping to think is fine for characters, but not for their creators. They have to work.

I'm not one of those who can listen to music and write. I need the door closed. Windows shut. Facing the wall. No birds tweeting, views of nature, and so forth.

I never listen to music when I write. It's too much of a distraction.

I get into a zone where I'm really in my own world when I make music.

You need a place to work that works for you, and you need people to understand that when you are writing, you are doing a rarefied type of brain surgery and therefore should not be subject to a million random interruptions.

For me the process works best with no interruptions, no breaks in the steady application, no letters to be answered, very little social life, no holidays; it is therefore a form of happy imprisonment.

I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.

I go to a hotel and try to get there by 5:30 in the morning. I keep a dictionary, a thesaurus, a bible, a deck of playing cards, a bottle of sherry, and stacks of yellow sticky pads. I shut myself in for six, seven hours. I have an arrangement with the hotel that no one may go in my room. After three or four months, they might slip notes under my door like, "Dear Ms. Angelou, please let us change the linens. We think they might be molding." It's probably true. I let them in if they promise not to touch anything other then the bed.

Sometimes I go outside after a long stretch of writing and I'm surprised it's not raining. Or that it's daylight. Or that it's not the middle of winter. I don't know if that level of immersion is normal, but it's now I do things. I like it. It works well for me.

When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.

The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.

I needed to find my way to write. I need about six hours of uninterrupted time in order to produce about two hours of writing, and when I accepted that and found the way to do it, then I was able to write.

Thinking is the activity I love best, and writing to me is simply thinking through my fingers. I can write up to 18 hours a day. Typing 90 words a minute, I've done better than 50 pages a day. Nothing interferes with my concentration. You could put an orgy in my office and I wouldn't look up-well, maybe once.

If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.

I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.

I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.

If you think of a school drawing while you work, your drawing will look like one.

When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.

I think the first song I ever wrote ... was called "Can't Help Thinking About Me." That's an illuminating little piece, isn't it?

Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.

For us, the stuff we know is writing songs, playing shows, and that's what we're trying to concentrate on. Not trying to read about yourselves or looking up things about yourselves on the Internet - it's the key, or you'll go insane!

[When working on a book] I have an almost complete detachment from the world I live in, a sort of armor against distraction. I talk to people, move about, appear on the surface much as usual. But later on I have only a confused memory of what has happened during that period.

I have tried to write songs quickly that get scrapped. I've also taken a long time on songs that get scrapped because you can over-think something, and you've squeezed the life out of it. As opposed to work of art, it looks like a really great work of craftsmanship.

I think when you write songs, you write about people... People are the source of my material. And London is a wonderful place to be for people. So, the next time you're sitting in a park somewhere, and you see someone like me looking at you, don't phone the police. I'm just writing

Most of us have the residue of thousands of songs in our ears, that if you end up songwriting, I think you're mostly smoking the residue of all that material you absorbed over time.