Henry David Thoreau Quotes

The great British Library --an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought.

There is nothing for it but for all of us to invent our own ideal libraries of classics. I would say that such a library ought to be composed half of books we have read and that have really counted for us, and half of books we propose to read and presume will come to count—leaving a section of empty shelves for surprises and occasional discoveries

Thought reflexes get conditioned very strongly, and they are very hard to change. And the also interfere. A reflex may connect to the endorphins and produce an impulse to hold that whole pattern forther. In other words, it produces a defensive reflex. Not merely is it stuck because it's chemically so well built up, but also there is a defensive reflex which defends against evidence which might weaken it. Thus it all happens, one reflex after another after another. It's just a vast system of reflexes. And they form a 'structure' as they get more rigid.

I was not leaving the south to forget the south, but so that some day I might understand it

Libraries collect the works of genius of every language and every age.

For the spell is older than experience. For the tale is older than the record.

The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.

The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men's hearts of the hearts of men centuries dead.

Many moons ago dictionaries of quotations may have been less needed than they are today. In those good/bad old days, people walked around with entire poems and all the Shakespearean soliloquies in their heads.

A classic is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.

Here we are signing autographs for people who essentially know know how to write their name and are functionally literate. But if you cease to teach cursive writing, how does one know how to, I don’t know, replicate the Declaration of Independence? Or the orations of Cicero? Is it just going to be on the internet?

Respect the past; you never know how it may affect you.

A precious, mouldering pleasure 't is To meet an antique book In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old.

A man might well pray that he may not taboo or curse any portion of nature by being buried in it.

Books are faithful repositories, which may be awhile neglected or forgotten, but when they are opened again, will again impart their instruction.

The urge to break with a tradition is only appropriate when you're dealing with an outdated, troublesome tradition: I never really thought about that because I take the old-fashioned approach of equating tradition with value (which may be a failing). But whatever the case, positive tradition can also provoke opposition if it's too powerful, too overwhelming, too demanding. That would basically be about the human side of wanting to hold your own.

I feel myself the inheritor of a great background of people. Just who, precisely, they were, I have never known. I might be part Negro, might be part Jew, part Muslim, part Irish. So I can't afford to be supercilious about any group of people because I may be that people.

I enjoy classics, but classics are classics for a reason.

There is no creature so perfect in wisdom and knowledge but may learn something for time present, and to come, by times past.

Now, may our God be our hope. He Who made all things is better than all things. He Who made all beautiful things is more beautiful than all of them. He Who made all mighty things is more mighty than all of them. He Who made all great things is greater than all of them. Learn to love the Creator in His creature, and the maker in what He has made.

God will turn the might have been into a wonderful culture for the future.

The tango is a direct expression of something that poets have often tried to state in words: the belief that a fight may be a celebration.

You might be an interested guy, an interested reported then I get to know you and then I know you're this also and you're this also and you may hide it in a certain way. That's what I love.

If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.

It is worth the expense of youthful days and costly hours, if you learn only some words of an ancient language, which are raised out of the trivialness of the street, to be perpetual suggestions and provocations. It is not in vain that the farmer remembers and repeats the few Latin words which he has heard.