Donald Fagen Quotes

I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?

Music does not replace words, it gives tone to the words

Sometimes I write notes that I have difficulty singing. And you start talking yourself out of the bold melody and start wanting to arrange it in another key or something. Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.

Hemingway, damn his soul, makes everything he writes terrifically exciting (and incidentally makes all us second-raters seem positively adolescent) by the seemingly simple expedient of the iceberg principle - three-fourths of the substance under the surface. He comes closer that way to retaining the magic of the original, unexpressed idea or emotion, which is always more stirring than any words. But just try and do it!

Life is really very simple. What we give out, we get back

It's not that you get a cliché and then wiggle it about or use synonyms. You don't take an ordinary decorative paragraph and give it style. What you're trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There's no objective reason why they're right. They just sound right to me.

Music is the first thing I ever cared greatly about. I've been singing and writing songs since I was six or seven.

I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

What is the purpose of writing music? One is, of course, not dealing with purposes but dealing with sounds. Or the answer must take the form of a paradox: a purposeful purposeless or a purposeless play. This play, however, is an affirmation of life--not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living, which is so excellent once one gets one’s mind and one’s desires out of its way and lets it act of its own accord.

The only advice anybody can give is, if you wanna be a writer, keep writing. And read all you can, read everything.

Some things lend themselves well to songs, some things don't, and I'm learning that a lot at the moment. It's still a relatively new way of writing. It's only really the last five to 10 years that I've taken my writing seriously in this way, as something I can keep working toward. I think I feel myself much more before as simply a songwriter.

The simple fact is that the World is too busy to give the Holy Spirit a chance to enter in.

It gives me great pleasure, a good name. I always in writing start with a name. Give me a name and it produces a story, not the other way about normally.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.

...writing is not a performance but a generosity.

For me music is so passionate. I have to give it my all every time I go onstage.

Writing an autobiography, usually thought of as a looking back, can just as well be a looking across or through, with the passing of time giving an X-ray quality to the eye.

One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore. Another is that writing motivates you to look closely at life, at life as it lurches by and tramps around.

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English - it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in.

The best beauty trick I've learned is "less is best." For example, when I'm preparing to go out for the day, something as simple as putting some concealer underneath my eyes with a bit of highlighter automatically gives me a natural and fresh look. If I do that with a little bronzer, then I'm good to go for the day.

Over the years, I've found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.

If you want to say something profound, writing from your heartbeat is different than writing from the loud voices you get from music. If they're rapping from noise, it's about robbing people. It's that simple.

Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing - he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.

When you give of yourself something new comes in to being... the world expands, a bit of goodness is brought forth and a small miracle occurs. You must never underestimate this miracle. Too many good people think they have to become Mother Teresa or Albert Schweitzer, or even Santa Claus, and perform great acts if they are to be givers. They don't see the simple openings of the heart that can be practiced anywhere with almost anyone.

I have tried (I am not sure how successfully) to write plain tales. I dare not say they are simple; there is not a simple page, a simple word, on earth -\-\ for all pages, all words, predicate the universe, whose most notorious attribute is its complexity.