Jeffrey Rosen Quotes

I'm hardly the first person to say that you've [Jeffrey Rosen] written a book about a person who has more to say about the current state of being than almost anyone, Louis Brandeis, and yet nobody is talking about Louis Brandeis.

[Louis] Brandeis improves the prose. He simplifies it and perfects the balance of the sentence so it becomes even more memorable and aphoristic.

[Louis] Brandeis is writing directly to us. His clear voice comes through a century and he's speaking to us and he's galvanizing us and he's persuading us. And that's why I love to read the prose.

[Louis] Brandeis is often painted as an acolyte of judicial restraint, or the view that judges should uphold laws whether or not they like them.

A book comes and says, 'Write me.

The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.

How do I start writing a book? I sit there, I come up with an opening line, and then I go little by little. I'll wonder, Well, what's coming? And that goes right through to the very end. For over a dozen years now, I've had a recurring dream where I'm reading a book and the pages are blank, but as I read, the words come to exist as fast as my eyes can move. Strange, strange thing.

For me, reading books and writing them are tied together. The words of other writers teach me and refresh me and inspire me.

I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.

Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.

Publishing is the final step in making a book; if I was afraid to publish one, I wouldn't write it in the first place.

I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.

I was going to write a book one day and I actually did. To have it is a major accomplishment for me.

So perhaps the best thing to do is to stop writing Introductions and get on with the book.

I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.

Every piece of writing starts from what I call a grit a sight or sound, a sentence or happening that does not pass away but quite inexplicably lodges in the mind.

When I get to a point in my book writing when I don't know what I'm going to do next, I'll come back look at underlined passages and see if the images I wrote still have a certain amount of resonance for me.

By the time you write the last page you have done half the book. The other half tends to get done in about five weeks; I do several drafts, very, very furiously rewriting. I literally do more or less nothing else and I stick with it and go through it and I begin to hate it.

But as I wrote the book [Louis D. Brandeis: American Prophet], I tried to write it as clearly and directly and passionately as possible just thinking of communicating to readers who might want to learn about this great thinker and be inspired by him as I was.

I'm not sure that I have a favorite either on-screen or in the books! Whenever I'm writing, I'm always really excited to dive back into each character.

I do not read the works of Salman Rushdie, I write them. By the time I have finished writing them all I can think of is never reading them again. It's so deep, your involvement with a book, that once it's finished, then you are really done with it.

Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.

Our passions shape our books, repose writes them in the intervals.

The book that made me want to be a writer in the first place was Gone with the Wind - I read it and wanted to create a whole world out of words, too.