Dan Jenkins Quotes

I'd hear a tune in my head and the words would come. And then, very suddenly it just stopped. It seemed too stilted to try and learn how to write a song, to go to round robins and to learn things from other people on how to write a song. So I just stopped and did other things.

It's rather mystifying when you think about writing songs - where they come from, and how they're born.

It varies, I don't think there is any one set way of writing songs or coming up with ideas, it comes in so many ways you know.

There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.

When I get an idea for a song it would gel in my mind for weeks or months, and then one day just like that, Ill write it.

The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.

I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.

You can't write a song out of thin air you have to feel and know what you are writing about.

Sometimes a song can take up to a year to write, and because I waited that year and waited to work on it that day, it came up that extra 50 percent.

How does a person create a song? A lot of it is being open to encounter and to be in touch with the miraculous.

Any time I write a new song, I am jazzed about it for like 24 hours and then I am over it and want to write another one.

I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.

If you can't write your song in half an hour, you're in trouble - which is always true.

I'm not one of these people who sits down and writes to say I'm gonna write a song about this or that, or a specific subject. The songs actually kind of write themselves.

It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.

When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.

If it came back I would be thrilled. I would be delighted to write more songs. I need them now because I want to make an album and I have to depend on other people's music, which I've done for years. But still, it'd be really nice to be able to sprinkle it with my own.

As for me, I rarely write a song. But when I do write a song, like "Ain't No Chimneys in the Projects," which came to me at three a.m. one morning, on a whim - I get a percentage.

Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.

That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.

Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.

I write a little something every day, even though I don't write a song [every day]. Everything inspires me. I'll come up with a line, or somebody will say something that will trigger something.

I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.

The hardest part about writing any song is, what do you write? And how do I rewrite things? You start to run out of ideas that feel fresh.

If you write songs long enough, you run out of material that's original to yourself.