Lois Wyse Quotes

I started to write things down, as a very young child, wanting to find a way to remember - to keep close, somehow - moments that made an impression on me.

In the sense that writing is to retrieve the past and stop the passing of time, all writing is about loss. It's not nostalgia in the sense of yearning to bring back the past, but recognition of the erosion of things as you live.

Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.

Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.

Writers and believers live their lives haunted by the same question: What happens to our days once they disappear? The objective fact is that each day that passes is lost forever, as forbidden to us as the dead. But prayer and fiction offer a different answer. Those lost days still live among us, written in each person's hand, turned into stories.

If the portraits of our absent friends are pleasant to us, which renew our memory of them and relieve our regret for their absence by a false and empty consolation, how much more pleasant are letters which bring us the written characters of the absent friend.

It's odd but even when I was a kid, I would write about 'old and other times' as though I had a lot of years behind me. Now I do, so there is a difference in the weight of memory.

Nothing recalls the past like music.

In memory, you can access something from the past, anything that you've experienced that you remember - it's there. Now, you might have a memento of it in a photograph or in a film or a building or some clothes that you wore. There might be something that connects you to this memory. But all of us are just all caught in this time, whatever that is.

When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.

Every man who has lived for fifty years has buried a whole world or even two; he has grown used to its disappearance and accustomed to the new scenery of another act: but suddenly the names and faces of a time long dead appear more and more often on his way, calling up series of shades and pictures kept somewhere, "just in case," in the endless catacombs of the memory, making him smile or sigh, and sometimes almost weep.

For better or for worse, music is the language of memory. It is also the language of love.

Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.

I am interested in the past. Perhaps one of the reasons is we cannot make, cannot change the past. I mean you can hardly unmake the present. But the past after all is merely to say a memory, a dream. You know my own past seems continually changed when I am remembering it, or reading things that are interesting to me.

Remembrances last longer than present realities.

Photographs open doors into the past, but they also alloq a look into the future

[Memory] is a passion no less powerful or pervasive than love. It is [the ability] to live in more than one world, to prevent the past from fading, and to call upon the future to illuminate it.

In our memories, there is a graveyard where we bury our dead. They all lie there together, the loved ones and the ones we hated, friends and foes and kin, with no distinction among them. We have to mourn every one of them, because our memories have made them as much a part of us as our bones or our skin. If we don't, we've no right to remember anything at all.

From early on I valued the gift of memory above all others. I understood that as we grow older we carry a whole nation around inside of us, places and ways that have disappeared, believing that they are ours, that we alone hold the torch for our past, that we are as impenetrable as stone.

The past is no farther away than your pillow.

Memories just get richer with time.

It's a poor sort of memory that only works backwards.

Many a trip continues long after movement in time and space have ceased.

What matters in life is not what happens to you but what you remember and how you remember it.