Bob Greene Quotes

Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

This movie [Don Jon] played at Sundance and South by Southwest and Berlin. And it just played - well...by the time it played at Toronto recently, it was already done. But getting to watch it with a thousand people is hugely informative.

I'll just say it: I love Sundance; my very first film won Sundance.

Doing anything on a movie at Sundance is great.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

I am deeply honored to be making 'Life Itself,' a documentary on the life of Roger Ebert, and to have had the full cooperation and enthusiasm of Roger and his wife, Chaz.

And you know, we did it as an independent film, and we weren't expecting it to be on television, and Lifetime ended up buying it. And the viewers responded intensely to that film.

I've had something like seven films at Sundance, one of which won the Grand Jury Prize.

Sundance is like a genre.

I'd made this film called 'This Little Life,' and it went round the fests and won awards and did well.

I can't wake up every day and not thank Sundance. They're a great beacon of light for any independent film. Just to have a film that you made shown on a screen for an audience in a theater is beyond me, so I owe them everything in the world.

I live in New York City, where, if you're in a movie at a popular independent theater, you think you're king of the world, because you're in a bubble. So there's no way for me to properly conceive of the attention that the movie gets in a way that doesn't make me confused.

Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.

I've been in a lot of indie movies, where we didn't necessarily have permits or permission. I've even run from the cops in the New York City subways!

Sometimes success is just limited to festival circuit.

That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.

I believe that a healthy lifestyle isn't just a regular exercise routine or your eating habits, but a synergy of a healthy mind and body. To fuel my body, I am relentless about never eating anything that isn't of this Earth. I have no interest in putting stuff in my body that's made in a lab. Movement is vital. Whether it's running, cross training, hiking with the dogs, or walking the streets of New York, I am constantly active.

I think it took us all by surprise. I mean, I knew that people in New Zealand would like [Hunt for the Wilderpeople], but no one really anticipated how much they would embrace it as it is. And it's playing widely in Australia now; they're running it as well. It's going to be interesting to see how it does it in the States, but I think if Sundance was any indication, I imagine it could do well.

I think one day I'd like to win an Oscar.

Unfortunately, the small comedies I've done have hardly seen the light of day, which is kinda sad. Dirty Girl was a lot of fun, and I'm so glad it got picked up in Toronto. People really liked it!

Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.

When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.

A lot of people think that Jesus is coming back. That's fine, it's your right. But you know, I live in New York, and I think he's running a little late. I'm asking myself, 'Alright, what happens if Jesus comes back tomorrow? What - does he make rounds to churches?' 'OK, everyone who's been good, buses leave in 10 minutes. I'll meet you in front of the post office. I gotta go. Oh, don't tell the Jews I'm back.'

O.K. I'm running out of appetite. Let this swirl- a bit like Crab Nebula- do for now.

My whole family is very art-based. My sister runs a gallery, my other sister works for PACE in New York, my other sister is a sculptor. I'd say the ending one is me because that's the artist and the artist feels a lot.