Jean Houston Quotes

I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.

I don’t care if you fuck the elephants, but if you do, you can’t cover the circus.

Is it really the right of the media to dictate to the president whom he will allow in his press conferences? That's tetchier. And then there is the added issue of whether it would be a service to their readers, and the country at large, for, say, the Washington Post to take itself out of the room -- meaning they don't have the ability to ask important questions the president is obliged to answer? I think that would be a mistake.

No reporter of my generation, whatever his genius, ever really rated spats and a walking stick until he had covered both a lynching and a revolution.

Somewhere in the dim recesses of the journalistic soul lies the horrible suspicion: This is really a pretty shallow and maybe unseemly way for a grownup to make a living.

I worked in cable news for a long time, but I'm not a pundit. I'm just not. I'm grateful to people that are, but I was really miserable trying to do that. I just wanted to be myself.

I think the media is among the most dishonest groups of people I've ever met.

I think that the media should stop with this unnamed source stuff, put names on a piece of paper and print it. If people aren't willing to put their name next to a quote, then the quote shouldn't be listed, period.

I mean, I think everybody in the world, all the young people in the world, went to journalism school and wanted to investigate everything. And I think they overdid it. I think that you have to investigate things, you have to e skeptical, but you shouldn't be vengeful. You have to be fair and you have to be careful.

I think that - not just as a journalist but as a human being - I have the ethical responsibility to avoid actions that can harm innocent people.

A journalist is the lookout on the bridge of the ship of state. He notes the passing sail, the little things of interest that dot the horizon in fine weather. He reports the drifting castaway whom the ship can save. He peers through fog and storm to give warning of dangers ahead. He is not thinking of his wages or of the profits of his owners. He is there to watch over the safety and the welfare of the people who trust him.

I have long been a supporter of a free and independent press and I always will be. But with freedom comes responsibility.

What I wound up doing, which I think is really journalistically dubious, is changing the order of some of the things I did, so that the things I ended up struggling with the most wind up being two-thirds of the way in.

I like my job and I want to do well at it but I think there's much more integrity to being a journalist maybe than being an actor.

Speaking generally, I think it's useful to acknowledge explicitly the power imbalance between a journalist and the protagonists in a story about poor people, even to make that imbalance part of the story - and to redress it, narratively, where you can.

I don't hate journalists. You can't hate a class of people. It's wrong to say that. But I do think they're a bit like poison. Never trust them. You can't trust them as a class of people. It's their job not to be trusted.

I can't become naked for everybody. It's never going to be possible for the person to write the whole story completely, so I find bits of myself, bits of what I think in some articles. And I don't give lip service to journalists. I never make them feel comfortable. I say, "It's your job to make the story."

I think as long as you're straight with people, as long as you honor ground rules, as long as you serve your readers, you're going to get the door opened for you.

The photographer must bear the responsibility for his work and its effect …[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.

Sexuality is such a taboo thing. I think it should be more out in the open, especially with young women. I think it's okay for them to explore their sexuality, as long as they own it and it's portrayed in the right way.

Comedy can be silly and gross and offensive, as long as there's sort of a point. You can make a joke that, on the face of it, is racist. Ostensibly someone can appear to be racist, but if you know you're making a point about race, and not just being pig-headed, then you can do that. I think some people who don't understand comedy will have a knee-jerk reaction to some stuff, and will always be offended by it because they don't understand it. Some people react to it in a vociferous way, which is unsophisticated, but there's always going to be those people out there.

When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.

Regardless of the criticisms I receive from the left, the right and the middle, I think it's important to maintain a prolific writing jab, as long as my literary legs hold up.

I wandered over across the hall where they were showing a short movie about vasectomies. Much later I told her that I'd actually gotten a vasectomy a long time ago, and somebody else must have gotten her pregnant. I also told her once that I had inoperable cancer and would soon be passed away and gone, eternally. But nothing I could think up, no matter how dramatic or horrible, ever made her repent or love me the way she had at first, before she really knew me.

Very rarely are you going to see the large shareholder or CEO of a corporation march into a newsroom and say, "Cover this story, don't cover that." It's a much more subtle process. The professional code adapts, but what we try to see, is how commercial and corporate pressure shape both the professional code and the sorts of things that are considered legitimate journalism and illegitimate journalism.