Rupert Friend Quotes

Most of the actors that do play apes have told me that it's been one of the most profound things they've done, because you have to be so honest with yourself.

Regardless of theology or however you see life or relate to worshiping God, as an artist, my job is to tell the truth and then try to connect with these characters and people as honestly and deeply as possible.

I think, as an artist I done conquered every way that you can go, as far as with creativeness, and directions and love, and you pissed off or, your happy.

One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.

There are parts that you can do them all your life, and no one knows you're even acting, and there are other parts which somehow - I think they say they 'pop' - people notice that you're in and you become an actor from the movies and people take you in a whole different way. Whether or not I can keep that ball rolling is another matter.

I didn't dare to think of anything then except the "facts." To get beneath the facts I would have had to be an artist, and one doesn't become an artist overnight. First you have to be crushed, to have your conflicting points of view annihilated. You have to be wiped out as a human being in order to be born again an individual. You have to be carbonized and mineralized in order to work upwards from the last common denominator of the self. You have to get beyond pity in order to feel from the very roots of your being.

You can bring truth to anything, whether it's a dance movie or an incredibly poignant indie drama or a really broad comedy. As long as you show up to play, I don't think you can go wrong.

For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.

the older I am, the more I refuse to treat my work as therapy and the more I think it's less honest to do that, less about acting. When I was younger, I sometimes used personal things in creating characters, to the point where I thought maybe it was a little bit dangerous - at least for me. But I don't feel that somebody can only be good in a character if they are really becoming that person or really suffering.

I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.

I know it sounds very typical to say, but the best part of being an actor, and the reason why I think a lot of actors do it, is that it's always changing. You get to play so many things that it's like you've had so many different careers.

It depends on the story and the filmmaker. And it depends on the character, and the heart and soul of the person that I see on the page, and if it resonates with something that I think I can summon in myself.

I'm older now, and I been through that, like, 'Stop. Tell the truth, what I need to do?' And I think that's important, as far as artist, for me to stand for what I believe in, And a lot of times people don't like that, you know what I'm saying. You become a troubled artist, or, 'You don't listen,' but as long as I say 'Yeah, I'll do it!' I'm a good person.

The main thing is to be moved, to love, to hope, to tremble, to live. Be a man before being an artist!

Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.

As actors, emotion is the sand in the sandbox for us. Without emotion, there's nothing to play - and we are playing. We know that. Whether you think we do or not, we know that.

Looking back upon my work today, I think the best I have done grew out of things deeply felt, the worst from a pride in mere talent.

I feel like you can't really be truthful as an artist and empathize with the human experience, unless you know your truth and you're not living a lie. So I'm learning through it, and it's making me a better person, and it's making me a better artist, I think.

Joy and pain, they are but two arteries of the one heart that pumps through all those who don't numb themselves to really living.

One should be an enigma not just to others but to oneself too. I study myself. When I'm tired of that I light a cigar to pass the time, and think: God only knows what the good Lord really meant with me, or what He meant to make of me.

I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.

The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.

I started digging into parts of myself that I probably ignore and don't really get to express because Common is an artist that is conscious and is aware and is trying to put a positive energy to the world.

I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.

The serious revolutionary, like the serious artist, can't afford to lead a sentimental or self-deceiving life.