Will Oldham Quotes

I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.

Artists are the people that no matter what, pick up the pen, pick up a paintbrush. They take the time to translate what is happening to create something that resonates deeply with the rest of the people that are caught in the middle of their own reality.

I love to be in control of everything I do and everything around me. So that means, you give me a romantic lyric and I'll make the atmosphere, I will build on that. And then the song then becomes, it takes me to do the song, it's just a belief, it's just who I am.

The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.

The precision of hisskill places his work beyond the tentative and the experimental stage. He is continually searching and exploring both himself and his surroundings. and in this exploration of the realm of places, people and things, contrasts and relationships, Callahan is no respecter of conventional technical formula or code. His delicate sense of pattern is an integral part of his photography and not a thing by itself.

Songs are kind of alive, I think; once you finish writing them, that doesn't mean that that's it for the song. It can have its own little life, I think.

Well, the problem I've had with all the interviews I've had in America - I had meetings with about nine labels - and they all say to me "Will your new songs fit in with what is popular and what is in the chart?" And I say "Good God, I hope not!"

Poetry's medium is not merely light as air, it is air: vital and deep as ordinary breath.

Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.

I've always appreciated people like Graham Parker or Loudon Wainwright III, who spend their entire lives writing songs and working their asses off just to have complete artistic freedom. They're just sharing their lives with you through their music. That's the same kind of work that I'm trying to do, in my own weird way.

I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.

You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.

The camera can be a machine gun, a warm kiss, a sketchbook. Shooting a camera is like saying, Yes, yes, yes. There is no maybe. All the maybes should go in the trash.

Art is never decoration, embellishment; instead, it is work of enlightenment. Art, in other words, is a technique for acquiring liberty.

When I listen to my songs, they seem like pieces of music or art, like a painting that you look at. The reality is that, yes, when I wrote the songs upstairs or wherever, I was writing very specifically about my life or a specific subject matter that's very personal. I've never shied away from that. The vocals and the performance that come after the record, I don't think of that as confessional, but the core of the music is completely. It makes sense that people would see that as being the main thing. I guess not everyone is able to speak so candidly.

After about three lessons [my] voice teacher said, "Don't take voice lessons. Do it your way. You're a song stylist. Always do it your way."

My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls.

My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.

I don't how I can describe the quality that is only found in art (be it music, literature, painting, or whatever), this quality, it's just there, and it endures.

In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.

I'm very open to any visual conceits and any possibilities at my disposal to be better explain to people the ideas I'm exploring.

I do believe strongly in photography and hope by following it intuitively that when the photographs are looked at they will touch the spirit in people.

I am nervous that the craft of songwriting is taking a nose dive...And since I'm a songwriter and I connect with an interpretative, you know, interpretation of a song, I miss it. I just miss it.

To my father, art had no restrictions. He was a true 'American Primitive.' He greatly enjoyed sketching and photography, carrying a camera with him whenever he could.