Kenneth Rexroth Quotes

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.

I'm not sure about prizes. I don't know how far you can seriously raise public consciousness about poetry. Having a 'National Poetry Day,' like a 'No Smoking Day,' is just shelving the problem. Things which should by rights be every day are not best served by these things.

Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.

The great dividing line between books that are made to be read and books that are made to be bought is not the purely modern thing it seems. We can trace it, if we try, back to the first printing-presses.

I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.

Most books are bought by women.

History has shown that the less people read, the more books they buy.

I think it's true to say that in 1973 I could read every book of poems that was published in a year, and I did.

My son and I discovered Terry Pratchett's books together, when he was about eleven years old. He'd be reading on his own and would start to laugh, and then eagerly read the passage aloud to me--and I'd do the same to him! Pratchett's books became a shared source of delight for us back then, and they still are today.

Let's buy books so as not to read them; let's go to concerts without caring to hear the music or see who's there; let's take long walks because we're sick of walking; and let's spend whole days in the country, just because it bores us.

In the pre-Internet age you had to find gay things - or things that were slightly radioactive with erotic interest. You had to go to the library, you had to find the books; you had to find the coded things. When everything's available and everything's okay, what does it become? It becomes shopping. We're shopping all the time, basically, whether for objects, or people. On Manhunt or Grindr, or whatever. It's click to buy.

Though we do not have many poets, we certainly have more than we deserve, for we deserve none at all. It is ourselves that we are hurting by our stupidity and ignorance of poetry.

It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing. . . . This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read.

I saw a poet chase a butterfly in a meadow. He put his net on a bench where a boy sat reading a book. It's a misfortune that it is usually the other way round.

Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.

Many years ago, in the late '70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire, read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.

Being rich is not about how much money you have or how many homes you own; it's the freedom to buy any book you want without looking at the price and wondering if you can afford it.

My writing has developed drastically . The Return of the Prodigal Son is the most important thing I've done, and my most mature book.

Theatre is poetry that rises from the book and becomes human enough to talk and shout, weep and despair

One of Still Lifes many achievements is its paradoxical mix of intensity and stillness. Alexander Longs visions of landscape, identity and "History itself, a joke that no one gets" are simultaneously meditative and alert, restless and focused. This is a smart, compassionate poet. Still Life is a mesmerizing new book.

I got you a present." "Did you?" "It's a book of poetry--romancy stuff. I thought, 'How schmaltzy is that,' so it seemed like the thing. Then I screwed up and left it in my desk at work

We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.

Note to self: being Kurt's son, being an ex-mental patient, getting into Harvard, having written a book, and being a doctor are all things that in and of themselves do not make a life. If you lean on them too hard, you'll find that there's not much there. But if you add up a lot of things that aren't in and of themselves enough, it almost starts to add up to something.

If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.