Kamasi Washington Quotes

I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.

I have a difficult relationship with jazz. My parents really love it, and I went to a school where jazz was considered the best thing ever, so I had to leave it be for a long time. But now I'm rediscovering it. I'm approaching jazz in a different way.

There's a certain type of indie fan who would balk at the prospect of there being value in pop music, but I think that's foolish. They're not really listening.

I don't see myself as some kind of fightin'-the-good-fight guy. But I always feel like if you don't like one kind of music or the other, it's just not for you.

I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.

I would hate to think that some people have found themselves in a musical cul-de-sac and have ceased to explore new music, or at least music that is new to them, because they are so glued to the past.

The first time I ever heard the blues, my parents had a stack of records that they weren't using anymore. I found them when I was ten; I didn't know what it was. But I found Lightnin' Hopkins.

You can learn and enrich yourself through the process of knowing a different musical culture.

When I was a kid, I had a xylophone, and I thought that was the instrument I wanted to play. I didn't realize it was a toy.

I don't ever really feel guilty about music, quite frankly. When you're younger, you think that anything you don't like, you have to hate. I'm so far beyond that perspective. Although, I will say I resent Bruno Mars for making me like him as much as I do. I wish that he wasn't so likeable.

When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.

When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.

I've never been one of those people who say, 'Oh, well, if you play this kind of music, you can only like these kinds of bands.'

Any time I get a chance to work with artists that make me inspired and learn new stuff about music - every chance I get, I'll take.

Jazz sometimes can be really complicated and inaccessible to people because they don't know what to start with. You can start with something that you love, but if you start with something that you hate, then it's like, 'You know what, I hate jazz.' It took me a lot of time to catch on to jazz, too.

You can't really force kids to like music. I'm a firm believer in an organic fan base.

Thinking Slayer's music is not my thing doesn't mean I don't respect the band for what they are and what they've done. I just won't play it. As I can imagine they won't listen to mine either, for that matter.

Music was the first art form I ever had.

We certainly are proud of our punk-rock heritage, but when people who like other kinds of music are into your band, it's flattering.

I was enamored with music at a very young age. Everything started with kundiman, then evolved to Carpenters, Barbra Streisand, Barry Manilow, and eventually classic rock music.

I grew up with parents who really encouraged me to listen to as much music as I could.

I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.

I grew up listening to so many different things, and having a dad that also sang, music was innately born into me. Going through high school and college, I'd go see anyone who came to town, it didn't matter the genre.

Music is music - it makes no difference what it is. I can like Slipknot and Public Enemy equally.

I'm not a country music fan, so if you slide me some music and say, 'You gotta check this out; it's country,' I'm going to be a little hesitant to listen, and I think if someone says, 'Hey, you gotta listen to this guy rap; he's Christian,' you're like, 'I don't identify as Christian, so not really sure I want to listen to that.'