Lynn Nottage Quotes

Even if you're lucky to have a play on Broadway like 'Chinglish,' you don't necessarily earn enough off it to support the years it takes to get there.

'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.

I got nominated for a Tony in my Broadway debut, which was fascinating and thrilling and sort of unbelievable all at the same time.

I have to say, speaking from experience, just because an actor starts out in a role in the workshop, they won't necessarily play it when it goes to Broadway.

It's interesting that the wondrous 'Hamilton,' which I could not be more ecstatic about, has taken a long time to perfect to bring it to Broadway. And it wouldn't have been possible if it was developed in the commercial theatre from the get-go.

'Turn Me Loose' was Off-Broadway, and now we are making a concerted effort to figure out how to get it to on Broadway.

It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway.

When I did 'Thoroughly Modern Millie,' it was almost every 'first' I could have imagined: I dreamt someday being on Broadway, and then dreamt someday playing a lead on Broadway, and then dreamt someday of getting to originate a role, and then getting a Tony nomination. It all happened at once. I was just terrified.

I was pre-med in college, and so since a lot of people take a year off before they go to med school, I decided to take the time to pursue theater - six months later, I was on Broadway.

The sooner we switch away from carbon-based fuel and start relying on renewable energy sources available in the United States, the sooner we will grow our economy by creating the millions of new jobs that will come from retrofitting homes and businesses, building smart grids, renewable energy systems and planting trees and all the rest. We need to create a lot of jobs that can't be outsourced.

I believe that science fiction is as profound as you want it to be or it can be very simple entertainment, and I'm all for very simple entertainment. Every now and then we all need to come home, veg-out, watch something and not think too deeply about it. It's what you want it to be. We tend to steer clear of being pedantic; it's entertainment first, otherwise we'd be on a lecture circuit.

Kneel down to pray. Step up to serve. Reach out to rescue. Each is a vital page of God's blueprint to make a house a home and a home a heaven.

I remember the average curate at home as something between a eunuch and a snigger.

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago.

I was blonde most of my life and I had to dye my hair for a role. I couldn’t believe the difference when I went red. I just felt ‘wow, I’m home’. It’s great. You do something stupid when you’re blonde and you’re dumb. Do something stupid when you’re red and you’re a character.

I enjoy going to Starbucks, having a cup of coffee, sitting in my car, driving from here to there, sitting at home looking at the trees, going for a walk with a dog. It's all very enjoyable.

A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.

I stand as I always have with the Cuban people who love, cherish and celebrate liberty. Hard-working, helpful people who open their hearts and homes to all, whether in Cuba or in exile.

I think it's really important to give yourself a very big question that you're working on that you can come home to.

There's something nice about the silence of a car ride in the dark, going home. When you were tired of the radio and conversation, and it was okay to just be alone with your thoughts and the road ahead. If you're that comfortable with someone, you don't have to talk.

Another merit of home is that it preserves the diversity between individuals. If we were all alike, it might be convenient for the bureaucrat and the statistician, but it would be very dull, and would lead to a very unprogressive society.

It is, indeed, at home that every man must be known by those who would make a just estimate either of his virtue or felicity; for smiles and embroidery are alike occasional, and the mind is often dressed for show in painted honor, and fictitious benevolence.

My whole mantra is, "Go big or go home." I don't want to just play a guy who dresses up. I want to play the person who threw down.

Hospitals are only an intermediate stage of civilization, never intended ... to take in the whole sick population. May we hope that the day will come ... when every poor sick person will have the opportunity of a share in a district sick-nurse at home.

Worldwide travel is not compulsory. Great minds have been fostered entirely by staying close to home. Moses never got further than the Promised Land. Da Vinci and Beethoven never left Europe. Shakespeare hardly went anywhere at all-certainly not to Elsinore or the coast of Bohemia.