Ernest Cline Quotes

As a writer, you write the book, you give it to your editor, it's copy edited, it's published, it's thrown out there, and then there's a response.

Don't worry if you don't complete everything on the schedule. At least you will have completed the most important projects before getting to the less important ones.

Publishing a book is a very different thing than writing one.

Deadlines are things that we pass through on the way to finishing.

I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.

People that don't want to get down to the business at hand. Instead of just doing less, we have to find ways of doing more with less. That's the key to the future.

Many writers hate the shilling process, and I understand that. However, it's really the only thing about the publication process you can somewhat control. You can't affect reviews. But you can try to find your book an audience. One of the problems with the book publishing industry is that their publicity efforts tend to be spent on people who already read, and know how to discover, literary fiction.

There can hardly be a stranger commodity in the world than books. Printed by people who don't understand them; sold by people who don't understand them; bound, criticized and read by people who don't understand them; and now even written by people who don't understand them.

People who can write a book usually do.

I think people need to remember that a book isn't done after a few rewrites and a publisher isn't going to buy an 'undone' book so the hard part is making it a book that at least ten other people want to pay for to read.

I wasn't the kind of student that Pratt was looking for. They wanted patient people who would work on something forever. I didn't want to work on any project forever. I intended to get things done.

People who never have any time on their hands are those who do the least.

The military taught me the importance of getting something done in a timely manner and the importance of completing a mission on time. My lieutenant would say, 'If you don't, you die.' In many ways, life is the same. If you don't pay attention to a timeline, you lose out on the ability to accomplish the task at hand.

[Mark] Twain was a publisher. He published General Grant's Memoirs (a big success) and had a hand in the publishing of many of his own books. He would, I think, be very keen about the question of how a book would sell.

Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.

Writing a book is a brilliant thing because once you've finished it, you've done it, and there's the potential for it to go on earning you a living without you doing any more work on it. It's absolutely ideal for an idler.

Write the best book you possibly can, then dedicate yourself to getting people to read it.

A lot of times, when people send me books to read - new writers mostly - I find that the book is still in a draft stage and that before it can leave the writer's hands and head to a publisher, it needs about five more revisions. Some people don't want to do that.

Nevertheless, hateful as saying 'No' always is to an imaginative person, and certain as the offence may be that it will cause to individuals whose own work does not require isolated effort, the writer who is engaged on a book must learn to say it. He must say it consistently to all interrupters; to the numerous callers and correspondents who want him to speak, open bazaars, see them for 'only' ten minutes, attend literary parties, put people up, or read, correct and find publishers for semi-literate manuscripts by his personal friends.

The living are more demanding; the dead can wait.

Normally, even if you're on the set for 12 hours, there may be only a moment or two when you are actually useful.

Most people spend most of their time on low-priority busywork because it requires no additional knowledge, skills, or imagination-or courage. In a word, it's easier.

There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.

I reckon that for all the use it has been to science about four-fifths of my time has been wasted, and I believe this to be the common lot of people who are not merely playing follow-my-leader in research.

Everybody has only a 24-hour day. Most people, if they increase consumption of one medium (like magazines or books) will cut down on another (like TV). This drastically reduces the sort of growth some people have been expecting.