Jason Wu Quotes

Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.

The silhouette is the most important thing in clothes. Every French girl knows that. High-waisted trousers give you long legs and a pretty bum which, after all, is what we all want.

My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.

I have always aspired to create beautiful designs that make women feel elegant and confident - for me, that is my greatest challenge and inspiration.

Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.

When two souls compose a single song, The muse fans Livid wrath before long.

I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.

I got involved in fashion by accident. When I got to New York, my intention was to have enough money to eat and to stay and I don't have to leave. I just loved New York - the energy, the culture, the freedom.

I have a Pinterest, and if you look there you'll see the things I really like and adore, have crushes on, and there's a lot of stuff from Riccardo's [Tisci] line on there.

My parents never mentioned anything about fashion in our household, instead we used to talk about literature, theatre, and arts...this is why I have kept a real relation with the Art world, by putting books from the beginning in my shops' windows.

I am still taking care of the creation of the collection alongside my staff, and my daughter Nathalie Rykiel, is the artistic director of Sonia Rykiel, who takes care of a lot of things. We are very alike and also very close.

I went to London a lot as a young designer because London was a major inspiration, not only for the clothes but the sense of freedom. I remember going to see a stage production of "The Rocky Horror Picture Show" in the mid Eighties and loving the mix of Goth and humor, and in my shows I've always liked to play jokes and have fun.

I love black because it affirms, designs and styles. A woman in a black dress is a pencil stroke.

Her form, though not so correct as her sister's, in having the advantage of height, was more striking; and her face was so lovely, that when in the common cant of praise she was called a beautiful girl, truth was less violently outraged than usually happens.

I wouldn't mind collaborating with anybody, but I don't want to design anything, I'm not a fashion designer.

Oftentimes when I do a project I do get influenced by the wardrobe. I certainly learned a lot from 'Mad Men' and from Janie (Bryant) in particular. She's just so fabulous.

Some of the djamphir are so pretty it almost hurts to look at them. And it was hard to look without feeling rumpled and messy in comparison.

Ugly is very popular this year...I had a feeling these clothes were deigned by someone who didn't like women.

I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.

I love bows, … And I feel some couture pots coming on.

Modeling is about illusion. It's a fantasy world where models play various roles. By featuring extreme looks, magazines show women how to have fun with makeup and clothes, and to inspire them to experiment - just like we did when we were little girls.

Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, "ugh." And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.

We are talking about mutated women, the result of cruel genetic experiments performed by fashion designers so lacking in any sense of human decency that they think nothing of putting their initials on your eyeglass lenses. The leading cause of death among fashion models is falling through street grates. If a normal woman puts on clothing designed for these unfortunate people, she is quite naturally going to look like Revenge of the Pork Person.

The idea that women don't smell fine on our own is a problem.

She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.