Rachel Caine Quotes

The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.

My music is designed to make a club go insane when it goes on.

Everyone danced -- sweaty bodies packed tight, drunk with sound.

When I do a festival, I want everyone to have a party, I think it is kind of similar to a club where everyone is there to have a good time and celebrate not being at work or just being able to have fun. I love people dancing to my music as well; if I can make them dance I feel happy.

I never really did any disco dancing.

My father ran a famous L.A. nightclub complete with roller-rink - Flippers - in the early Eighties which was the West Coast's answer to Studio 54.

I was a clubber in the Nineties. I went dancing every week.

I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.

I'm still that rowdy dude who has after-parties in his dressing room with a concert-sized PA system blasting away.

I wanted to make something that, from the sound of it, could be down at the club. I just realised that I'd never heard Tame Impala played somewhere with a dance floor or where people were dancing.

The Mirrorball is so amazing.

Fog and one blue light is all I need in life at the club. Just a dark room and loud music. I'm into that.

My music is party music. If you can make people party, you can always have an audience for that.

When I was first going out to funky events, it was a lovely kind of music to dance to - it had such a nice vibe.

Party Rock' is something that is dear to my heart and my goal is to turn this planet into a 'Party Rock,' if you will.

Tell them we'll be dancing, dancing 'til we drop, it's time to get down and do the Horizontal Bop.

I love a lot of old disco because it's aerodynamic, smooth, and very seductive.

It's weird - the cab driver is playing very loud dance music and yet it doesn't really feel like a party.

Well, you can tell by the way I use my walk, I'm a woman's man: no time to talk.

I could be religious, if they sang the hymns to disco.

I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.

I don't even think of myself as a quote, unquote star - that's really douchey. I think of myself as just like . . . a dance commander. You have to have dance parties all day and night, and you always have to be excited about having a dance party. You have to have a dance party in Milan one day, and then wake up and have a dance party at, like, four in the morning on national television in L.A. the next day. The hours are insane.

Dancing?' Annabeth asked. Thalia nodded. She cocked her ear to the music and made a face. 'Ugh. Who chose Jesse McCartney?' Grover looked hurt. 'I did.

Get on the floor floor like it's your last chance. If you want more, more then here I am.