John Green Quotes

Cursing themselves in ragged dreamsfire has singed the edges of,they know a slow dying the fields have come to terms with.Shimmering fans work against the heat& smell of gunpowder, making moneyfloat from hand to hand. The next momenta rocket pushes a white fistthrough night sky, & they scatter like birds& fall into the shape their liveshave become.

I woke up and all I could see was Iraqis standing all around me, looking down upon me. I knew at that moment something terrible had happened and I wasn't in the right place.

Am I awake or dreaming? It doesn’t matter anymore. When I close my eyes I dream of death and war. When I open my eyes I see death and war.

Yeah? Okay," she said, staring up into the stars. "Let's see. You know how, at the end of Romeo and Juliet, Juliet wakes up in the crypt and Romeo's already dead? He thought she was dead so he killed himself right next to her?" "Yeah. That was awesome." A pause, followed by "Ow," suggested elbow punctuation on the part of Mik. Karou ignored it. "Well, imagine if she woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But he had killed her whole family. And burned her city. And killed and enslaved her people.

Sometimes, in the trenches, you get the sense of something, ancient. One trench we held, it had skulls in the side, embedded, like mushrooms. It was actually easier to believe they were men from Marlborough's army, than to think they'd been alive a year ago. It was as if all the other wars had distilled themselves into this war, and that made it something you almost can't challenge. It's like a very deep voice, saying; 'Run along, little man, be glad you've survived

We look into each other's eyes as we shake. His are still full of death and horror, but in them I see my face reflected, and inside my tiny eyes inside his, I think I see some hope.

Long time I been on my own, but now really I'm alone. I survive the killing, the starving, all the hate of the Khmer Rouge, but I think maybe now I will die of this, of broken heart.

It's still a load. If there was balance, the soldier boys would all be dead, and we'd be sitting pretty in the middle of the Drowned Cities, shipping marble and steel and copper and getting paid Red Chinese for every kilo. We'd be rich and they'd be dead, if there was such a thing as the Scavenge God, or his scales. And that goes double for the Deepwater priests. They're all full of it. Nothing balances out.

I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.

... though not invariably the worst choice, war is always an obscene horror.

What’s the point of truth or beauty or knowledge when anthrax bombs are popping all around you?

It's the rule of the wilds. You must be bigger, and stronger, and tougher. A coldness radiates through me, a solid wall that is growing, piece by piece, in my chest. He doesn't love me. He never loved me. It was all a lie. "The old Lena is dead." I say, and then push past him. Each step is more difficult than the last; the heaviness fills me and turns my limbs to stone. You must hurt or be hurt.

We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.

What armies and how much of war I have seen, what thousands of marching troops, what fields of slain, what prisons, what hospitals, what ruins, what cities in ashes, what hunger and nakedness, what orphanages, what widowhood, what wrongs and what vengeance.

Om rubed his head. This wasn't god-like thinking. It seemed simpler when you were up here. It was all a game. You forgot that it wasn't a game down there. People died. Bits got chopped off. We're like eagles up here, he thought. Sometimes we show tortoise how to fly. Then we let go.

You have no sense of what war is like. You have no idea what it means to see those you love fall. You cannot possibly understand what it is to fight for what you believe, and how sometimes you have to fight with words and dreams after all the weapons have been put away. You serve a cold god, surviving on his power for thousands of years without ever living!

The battlefield is first and foremost horrible stenches, not sights, not sounds, but stenches. They don't travel well into literature.

Both of us will die today, gunned down or smashed up or exploded in some terrible moment of fire and twisted metal, and when they go to bury us we'll be so melted together and entwined they won't be able to separate the bodies; pieces of him will go with me, and pieces of me will go with him.

It felt odd to be laughing during a firefight. Then again, if you can't laugh when you're about to die, when can you?

No one I met at this time -- doctors, nurses, practicantes, or fellow-patients -- failed to assure me that a man who is hit through the neck and survives it is the luckiest creature alive. I could not help thinking that it would be even luckier not to be hit at all.

I remember a story I once heard about drowning: that when you fall into cold water it's not that you drown right away but that the cold disorients you and makes you think that down is up and up is down, so you may be swimming, swimming, swimming for your life in the wrong direction, all the way toward the bottom until you sink. That's how I feel, as though everything has been turned around.

Violence up close has a smell. Like copper blood and charcoal burning.

This white woman came up to me, and I'm thinking, WOW. When I was a kid, she would have been robbed and raped and left for dead. This is a real strange scenario, and I just wanted to cry. I'm like, "Who am I? Where's my heritage?

If war was hell and only hell and there were no other colors in the palate I don't think people would continue to make war.

Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.