Diplo Quotes

The cool thing about G.O.O.D. Music is it's a bunch of great ideas, and I'm one of those ideas.

As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.

The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.

I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.

I think music will thrive where it wants to.

I'm in a very good place to make records. Needing to make money off music is very dangerous.

I've never worried about how a new release will be received. I simply try to do the best I can and leave the rest to the gods. The music industry in those terms is something I loathe and detest. It conjures up images of a gigantic factory spewing out parts of the machine.

Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!

Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.

You make your music, then you try to find whatever audience is out there for it.

It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.

I like Modest Mouse. I'm our biggest fan. And enemy. I won't waste people's time by putting out a Modest Mouse record just because. That's fair, right?

My whole goal is to make good records and keep myself inspired and able to accomplish what I need to accomplish.

I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.

Well, I worked with lots of different artists, of course.

I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.

It's insane that, since the Beatles and Dylan, it's assumed that all musicians should do everything themselves. It's that ridiculous, teenage idea that when Mick Jagger sings, he's telling you something about his own life. It's so arrogant to think that people would want to know about it anyway!

I've just tried for all of these years to find the best records, the best songs that I could find that fit me, and I've had great people to work with all these years.

Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.

I love hip hop, and I have a bunch of urban songs I write for fun that I can't put on my albums because people would laugh and point.

I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?

It's not that some songs are for radio and some songs aren't, I'm just making whatever I feel.

As a producer putting up music, I wasn't dropping a project to do this much numbers or make this amount of money, I really just dropped a project for the streets and the culture of music.

I was really inspired, working with Odd Future.

Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.