Lindsay Lohan Quotes

It's been great, I have to dig deep for really raw emotions and at the same time I have to use my intellect to say the ridiculous medical jargon while acting and treating a patient and then I have to try to have a personality and emotions as well. So it is definitely hard work.

I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.

A look which reveals inward stress adds more beauty to the face, no matter how much tragedy and pain it bespeaks; but the face which, in silence, does not announce hidden mysteries is not beautiful, regardless of the symmetry of its features.

I can be dramatic. I can be funny. I can be sexy. I can be sad. I can be glad.

Anyone who has to write an obituary for me one day will probably say, 'She did absolute depths of agony really well.' I'm not, however, an unhappy person.

In art there are tears that lie too deep for thought.

Easy mind, light heart. A mind that is too easy hides a heart that is too heavy.

I embrace everything about Ally... I don't particularly see her as a whiner. One week she's tough, the next she's really weak. I love that. She's human.

I have always been down to test what I can do and push the limits of my acting. I have always wanted to try new genres and stuff - but I love comedy. I grew up on comedy, and I love having a good time and making people laugh. But it is also really nice to switch it around and make people think and feel some darker emotions.

In everything I write, I'm always striving to hit the right mix of light and darkness, humor and pain, fun and seriousness.

Funny and sad are two sides of the same coin. I think that most comedians are able to tap into deep subject matter.

If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.

I like to be able to feel as many parts of myself while watching a movie at one time. I think that's what 'Super' is - it's funny, but it's also sad. It's very touching in certain ways, and it's also got a very dark sense of humor. So it's allowed to go anywhere.

I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.

I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day - and I like those things sitting next to each other.

As an actor, it's very interesting to make the audience love you while you are doing horrendous things.

As humans, we've all experienced some level of pain. Acting is just a matter of accessing and magnifying these emotions.

My music has to be funny and sad and happy and loving; it's gotta have it all. When somebody's just too dark all the time, it's just drama. Or if somebody's too funny? Well, I like being too funny sometimes.

I want to entertain, but I'm interested in a whole range of feelings.

But love is an emotional thing, and whatever is emotional is opposed to that true cold reason which I place above all things.

It was new to play a woman who plays with her sincerity, and who is a seductress, a manipulator and a liar! I was able to compose a character as opposed to being very natural, so it was very interesting for me. It was great to realise that I could be this kind of real woman!

Jealousy. Depression. Love. They pretty much demonstrate the whole range of human emotion.

Today there were fear, hatred, and pain, but no dignity of emotion, no deep or complex sorrows.

I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.

The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.