Ozuna Quotes

I only collaborate with the people I rock with in life, period. I rock with people where I really respect their craft and respect what they're doing. That's what collaboration should start from.

I love everyone over at Netflix. They're all fantastic and an absolute joy to work with.

Personally, I do the best work with people I'm closest with. I know what their tastes are, and they are similar to mine. That close personal relationship is what delivers the best work.

I know of no single formula for success. But over the years I have observed that some attributes of leadership are universal and are often about finding ways of encouraging people to combine their efforts, their talents, their insights, their enthusiasm and their inspiration to work together.

I've been so lucky to work with such great people: people that are such hard workers and have such a respect and appreciation for one another.

Creative collaboration is awesome.

I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.

It's interesting that instead of having to get tighter and more restricted for a collaboration, strangely enough, from the beginning, we've actually been more confident that we could handle this.

I've always considered myself a workaholic... The way I work, I have to turn myself upside down and hang myself by my ankles and wring myself out like a wet sweater, and I have to do that with other people, too, because I think that's where something good comes out.

That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.

Basically, the way I do it is I get to work with a bunch of people; get a bunch of great people together, and you'll be able to get something cool on the other side.

If you have a writing partner that you don't share a work ethic with, it's doomed.

The thing I like to stress about TV is that it's a team exercise. You really can't have too much of an ego.

When I look for people to work with, I'm just looking for talented people.

I try to work hard, be professional, be fun to work with, and be accountable.

I approach any collaboration I do differently.

Joel Little and I have this certain chemistry we have when we work together.

I just wanted to work, build a relationship with my teammates, and earn their trust.

So much of inspiration comes from collaboration with other musicians.

Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.

Not harder than it should be, no. We're about the business, we're about the work. It's all about the work, always. We have fun and laugh and there're days that are more intense than others, but we're there to make it better. He's always going to try and make it better, I'm always going to try and make it better. So you accept anything, you accept whatever it takes to get it up on the screen and make it worthy.

Everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level. Ultimately I'm the writer for me, but also anytime one of my friends gets stuck with a bit, they can call me and I'm pretty good at helping them get there. I think we all work together on some level, but for the most part, we're on our own.

The reward of a successful collaboration is a thing that cannot be produced by either of the parties working alone. It is akin to the benefits of sex with a partner, as opposed to masturbation. The latter is fun, but you show me anyone who has gotten a baby from playing with him or herself, and I'll show you an ugly baby, with just a whole bunch of knuckles.

I like working with south Indian directors because they are very disciplined. They visualize their entire story and screenplay in their heads even before they start shooting, which I respect. They finish their work on time. Being a disciplinarian myself, this suits my style.