David Harewood Quotes

Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.

When I do a picture and it's 90% black, like 'Bird,' I use 90% black people.

Obama is the first African-American president, and for some people, that means a great deal, and for some people, it means very little.

Spike Lee really gave us a platform, men and women of color.

In sci-fi, the Black guys always die. So, it's extremely important to bring African-American characters to the genre and not have them killed.

I feel like we need to make new superheroes, African-American superheroes, that people would accept.

There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.

Barack Obama's official nomination as the Democratic Party's standard-bearer was a very poignant moment for millions of Americans. As the first non-white major party nominee, Obama is carrying a big load on his shoulders. He's holding the hopes and dreams of a lot of folks who thought the presidency was only reserved for white men.

We understand 'Roots,' and that experience was mind-boggling, and it changed the way society viewed race relations. It was incredibly important. With 'Roots,' I was just as proud as anybody else that people of color were getting their stories told.

I think all races are represented in America much more than in many other places, but it's also nice to remind people about that ethnic mix. I would like to see more black models and women from different ethnic backgrounds, but I also think that when you are casting, you just choose the most beautiful girl you can find.

If you think about it, I made history. Not only was I the first black British woman to be nominated for an Oscar, I was the first black British person.

I give a speech to the black freshmen at Harvard each year, and I say, 'You can like Mozart and ice hockey...' - and then I used to say 'golf,' but Tiger took over golf! - 'and Picasso and still be as black as the ace of spades.'

When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.

Hollywood needs to recognise all shades of African American beauty.

As I got further into my career, as a character of color, if I was going to have the types of opportunities I felt I deserved, and continue to have them, I was going to have to start creating those opportunities for myself.

The day will come - and it is not far off - when the legacy of Lincoln will finally be fulfilled at 1600 Pennsylvania Avenue, when a black man or woman will sit in the Oval Office. When that day comes, the most remarkable thing about it will be how naturally it occurs.

Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.

I don't think there's enough breadth to the stories told about African-Americans.

I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.

'Hollywood maids' are so idiotic. They grin at everything. I told Norman Lear I didn't want to play a maid because of that 'hee-hee/grin-grin' attitude, and he said, 'Who said I wanted that?' He told me he wanted two strong women that are the black and white of the same coin. I said, 'Oh, well - in that case, I'll be right there!'

I don't understand labels. I don't need anybody to tell me I'm Latina or black or anything else. I've played characters that were written for Caucasian females, I just want to be given the same consideration as everybody else, and so far that has been happening.

I think my roles have been wonderfully varied. Not one has been racially stereotypical, and I have purposely chosen them like that.

I think what we need, especially in publishing, is more commissioning editors and editors who are people of colour.

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.

I will be the first black James Bond.