Evan Rachel Wood Quotes

I really love working with Ramona from Nite Jewel. We've kind of grown up together.

You hope that the same people are coming back. I love playing with Angela [Bassett]. She's fierce. I met her years and years ago when she was a student at Yale, so to see her do these fierce roles and go on to [be] this powerhouse has just been awesome.

David Fincher is a longtime friend. As a director, my wife had worked with him as a makeup artist when he would do Madonna videos years before, and his child and my oldest child were in preschool together, so we're kind of dad-friends through that, too.

Working with Will Smith was one of the highlights of my career. He is so talented and has a tremendous work ethic. We are still friends, and I reach out to him and his partner to pitch ideas. He loves my mother. In fact, my mother was his son Jaden's acting coach for the movie 'Pursuit of Happiness.'

I'd like to work with Justin Bieber. He's talented and he's so young. I know what he's going through. I've lived what he's living through right now. Working with him would complete a circle of sorts for me. And he might find it a worthwhile experience himself.

I had a great time with John Duigan; he's pretty amazing.

Working with people, the musical part is one thing but the personal part is totally different and just as critical. If the friendship is there and it's a lasting friendship, then it will take care of itself.

I have met Jackie Chan about 6 times up 'til now... and even though many people think we are natural enemies, I personally think he is a cool bloke and would honestly love to work with him in a film one time - that would a well brilliant movie!

No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so many years.

Harrison Ford invited me to fly on his private plane to Los Angeles, and he's great to work with. He's really down to earth, and we got to know each other quite well.

And I had known Peter O'Toole before in London. And I'd liked him very much. And the thought of being in a picture with him was very challenging to me. And he was playing the starring role.

I had been very close to Anne Bancroft when we worked together in The Miracle Worker.

I really enjoyed working with Guy Ritchie. One, it gave me a career, and two, they're probably a couple of the best films I've ever done.

I did an episode of 'Law & Order: Criminal Intent' with Jeff Goldblum, which was fun because I've known him for years.

Personally, it all feels like I've been filming just one long film the whole time and I have no personal like or dislike for any of the films that I've done. I feel like all of the all of them are important to me, all of the cast and all the staff that I've worked with have also been very important to me.

I've done some stuff with Glenn Danzig before, and while I can't really say that we're friends, we're friendly acquaintances.

I love Narcy, he's such a good artist. I know him personally, he's a friend. He's of my generation - he puts out a lot of stuff through music that are themes I like to hit on in my writing and comedy.

With Rihanna, it's always a collaboration, and that's why I love her so much.

I've worked with Farah Khan who is a competent woman director, and Farah and I had a great professional equation and we are still best of friends.

I'd worked with Matt Strevens on 'Adventure in Space and Time' and he's a great friend of mine.

If I work with Bjork, then I'll be a happy soul, man.

I know Alexandra Shipp personally, and that would be really cool to work with her.

I had the great fortune to actually become friends with Sam [Fuller] and ultimately collaborate with him on White Dog, which we wrote together.

Don't look down on them for looking down on us. Look at them, instead, as friends we don't know yet and who don't yet know what they are missing in not knowing us.

When you begin a picture you often make some pretty discoveries. You must be on guard against these. Destroy the thing, do it over several times. In each destroying of a beautiful discovery, the artist does not really suppress it, but rather condenses it, makes it more substantial. What comes out in the end is the result of discarded finds. Otherwise you become your own connoisseur.