Dakota Johnson Quotes

I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

I think any good artist - and I'm not saying that I am one - takes notes and should first emulate their heroes and then try to move beyond them.

I always want to keep things unwritten. I'm inspired by Bob Dylan, who's kept evolving and changing his sound. I think that's what you should do as an artist. Why be comfortable?

I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.

I think the most important thing for me is a challenge. I'm not happy, creatively, unless I'm faced with a challenge. So, overcoming those challenges and really discovering characters that aren't like me helps me grow, as a person and as an artist.

I really love it, I love working with directors that are very collaborative and allow me input. I've done over 75 films, it's just like you're an apprentice. You learn so much about camerawork, lenses, and I'm always talking about DPs and directors and they always give me lists. I think pretty soon, I'll be ready to move away from being in front of the camera.

I just want to thank Wayne for even mentioning me. I've been following his career since he started, just watching him evolve. He was always clever with the rhymes. My own quest was always to get my music out to everybody in the world and working with Wayne is truly a way to get it out there.

Art has to keep moving and discovering to stay alive.

I had a world. I don't think I had a career. I made films.

For the most part I stand by all of records. I just always like the one I've done most recently the best and I think that's the whole point.

I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.

I love the idea of changing my look. I think one owes it to the audience, to go out there and give them something different each time, so as not to bore them to death.

J.J. Abrams wanted me to do a part in Lost and we probably had three meetings, and I finally turned it down, but it wasn't because I didn't like television or Lost, although I think I said to J.J., "I don't want to be in Hawaii and have an insurance person tell me I'm not allowed to go free dive and spear fishing." That would be the worst kind of torture in the world. But I don't hate television.

If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.

The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.

To kill the misconception, I don’t think the songs we wrote before ‘Danger Days’ are bad songs by any means. In fact, I kinda think some of them are among my favorites we have ever written. A lot of them are kinda f—ing rad… they just so happened to have been created in the wrong place, at the wrong time, and we as their parents were not ready to raise them just yet… and so they sat and waited.

The world is moving faster and faster, but where are we going?I think one of the reasons why things are getting blurry is because there is not much meaning.

I don't think I'd ever get any better as a poet if I didn't push myself, very deliberately, to grow. My best poems surprise me, as they should, but I fight them at every turn, possibly just because I'm stubborn.

You can't keep pursuing pop success, and chasing the past.

I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.

Late style gets simpler and shorter, and here, I'm getting more abundant as I get older!

Your first attempt will be terrible.... Remember that everything great you see started out as someone else's bad first draft..... Whenever someone sends me a manuscript and says, 'It just flowed out of me,' I usually think: Let it flow back into you for a while.

The point of art is that it always has the necessity to expand because people are inherently expanding.

You think you're developing and getting better and then you see something you did years ago. Looking at your early work.. sometimes it has a depth that surprises you.

I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.