Leonard Cohen Quotes

Albums, with me, have never had an easy birth. Especially when all the songs are self-written songs.

I don't write songs, songs write me. ... Writing a song can be agony or ecstasy. It can take half an hour or half a year. ... The popular song is America's greatest ambassador.

It's rather mystifying when you think about writing songs - where they come from, and how they're born.

It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.

When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.

"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.

When I get an idea for a song it would gel in my mind for weeks or months, and then one day just like that, Ill write it.

Writing songs has always been hard and easy. It's not always easy when you want it to be, and then sometimes it's just like turning on the faucet. That's just the nature of it.

It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.

The words come. Usually, it's a long time before they come. And then when they start to come, it doesn't take so long for it to be finished. It takes a long time to begin. And then it sort of gets finished.

The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.

There's only one proper way a song should go, but you've got to be patient enough to let them come together time wise. Sometimes it's lightning in a bottle and you got the song. But oftentimes it shows up.

The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.

I think that any songwriter - and I think that Bob Dylan knows this more than all of us - you don't write the songs anyhow.

I write songs on a course of time that's comfortable for me. I would probably never write a song from start to finish in the course of a day, hell probably not even a week. My mind is always going to change and my emotional state will also change on a daily basis.

I've been writing a lot of songs in twos, songs that are like twins in my mind.

Writing a song is a long road. Or it can be.

I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.

The writing of You've Got a Friend was one of the most incredible experiences because it was mostly inspiration. It just came to me almost as we hear it.

I find it extremely difficult talking about my songs because there's so many different things that can make a song come together.

I'm not one of these people who sits down and writes to say I'm gonna write a song about this or that, or a specific subject. The songs actually kind of write themselves.

Sometimes I start with a great title or idea, sometimes a great melody will run through my mind; but the higher percentage of the time, the words and music pretty much come at the same time.

When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.

I spent a fair amount of time editing the lyrics and allowing the song to kind of evolve. ... anytime there's anything worthwhile, it certainly 'feels' like it happened on the spur of the moment, but it's a composite of lots of spurs of the moment, hopefully. And over time, you catch up with those, and then you have a full set of lyrics you've thought of and you feel comfortable singing.

When I have just sat down and tried to write the lyrics of a song, usually about half of it sounds like bullshit. I just have to go away from something and come back to it again later. I do a lot of editing and switching around and putting little pieces together to get the right mood and personality, and it takes me forever to get a song finished.