Thomas Pogge Quotes

I just don't think people listen. I mean, they can't listen to a whole album closely without checking their iPhone or wanting to skip to their favorite song, or putting something else on, practically. That's why the zone out is a good thing.

I like to work with people who have a sense of putting a song over, and can sing in tune, and with passion. With technology you can polish a turd, but there's still no button you can press for passion.

The fact is that all the recording science and technology in the world is no substitute for a good song or for real feeling. Music is about feeling and if there isn't any genuine feeling, if the song isn't about anything that anyone gives a damn about, there's nothing you can do. All the technique that exists won't make it any good; it'll just make it technological. All the production values you add won't do anything except make it glossy.

America is the largest investor in the technologies necessary to be able to say to people, 'You can grow your economy so people's standard of living can improve, and at the same time be good stewards of the environment'.

There would be a cost for dumping carbon into our atmosphere and a cap on total emissions. The government must make a clear and firm decision - terminating the idea in our society it is free to pump infinite amounts of carbon into the air. Once that happens, private capital will flow even more aggressively into developing and deploying the alternative, less-polluting technologies.

We need to make growth greener, to make our economic and environmental policies more compatible and even mutually-reinforcing. This is not just a matter of new technologies or new sources of renewable, safe energy. It is about how we all behave every day of our lives, what we eat, what we drink, what we recycle, re-use, repair, how we produce and how we consume

America has much to gain in terms of jobs and trade by meeting the growing world demand for advanced, environmentally sound technologies.

Suppose that climate change is not real and all we do is adopt green technologies, which our economy and our technology is perfectly capable of. Then all we've done is given our kids a cleaner world.

We have to transition to new technologies, making it more expensive to continue with the old and polluting technologies and cheaper to go to the clean ones.

The main things to rebel against - over-production, too much technology, overthinking. It's a spoiled mentality; everything is too easy. If you want to record a song, you can buy Pro Tools and record four hundred guitar tracks. That leads to overthinking, which kills any spontaneity and the humanity of the performance.

The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals.

Chimes?" Phyllis asked. "Chimes to call a lover? Chimes with the voice of a bird trapped in them? Chimes that play you whatever song you most desire to hear?" "No thanks," said Nick. "We've got MTV.

Someone curating songs for you through your computer or being able to hold 10,000 songs on your watch - that convenience is pretty incredible, but so is the emotional impact of holding a Beatles record in your hand and listening to Let It Be.

We have this highly irrational system of incentivizing innovation for clean and green technologies, where we allow the innovator to have a temporary monopoly and then mark up the price of the product or sell licenses at high prices to those who want to use the kind of product that the innovator has invented. This system is collectively irrational because many people, to avoid the inflated prices of still-patented cleaner and greener technologies, opt for some older technology that is much more polluting.

It's a double-headed coin, because technology is a convenience but it's stifled our attention spans. At one time, albums had songs that were like ten minutes long, with different variations and chord progressions and changes.

With smoking axle hot with speed, with steeds of fire and steam, Wide-waked To-day leaves Yesterday behind him like a dream. Still, from the hurrying train of Life, fly backward far and fast The milestones of the fathers, the landmarks of the past. But human hearts remain unchanged: the sorrow and the sin, The loves and hopes and fears of old, are to our own akin; And if, in tales our fathers told, the songs our mothers sung, Tradition wears a snowy beard, Romance is always young.

There's this cliché of always falling in love with the latest song, and I'm kind of like that.

I take no joy in mead nor meat, and song and laughter have become suspicious strangers to me. I am a creature of grief and dust and bitter longings. There is an empty place within me where my heart was once.

Most of our songs were written on acoustic guitar before they made it to the practice stage.

My, how beautiful is war! its songs, its leisure!

I would go into my three different sisters' rooms in the early-mid '70s and they had very specific different tastes in music. I specifically remember lying on my different sisters' bedroom floors and listening to their record collections. And "Starship Trooper" was one of my sister Nancy's favorite songs and favorite album. Music is so defining for me. In the late '70s and early '80s, I worked in radio. When I was in high school, I worked at two different radio stations.

In the songs all knights are gallant, all maids are beautiful, and the sun is always shining.

She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.

If pornographers are among the early adopters of the new technology, then it has definite commercial possibilities.

If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.