Mark Frost Quotes

As a creative person, you just put something out into the consciousness of the society you live in.

Good artists exist in what they make, and consequently are perfectly uninteresting in what they are.

No artist is well served in thinking what will happen to their works. The best one can hope is that they'll enter the mainstream, and people will pull bits and pieces from them.

I'm in a hallowed league of artists. Whether it's Billie Holiday or Rakim or Jimmy Hendrix or... I don't know, MGMT, we're all blessed to be able to create. It's a lineage that extends a long time. And to be able to be active in it and have made a difference in it, it's humbling. To know I had a place in all of this; that's the rewarding part.

I've come to realize that the contemporary creative culture is not generating the best possible outcome.

I see my career as not just music, but as hopefully an entertainer on all mediums, and someone who can have real influence and make great art.

That, for me, is the only real legacy: the idea that one has left a lingering trace in people's memories. In the end, that's all a director can hope to do.

And if you think this young boy, from Dallas, Texas, is adding to the canon of theater arts, of performing arts, of cinema, well I'm humbled and I'm very excited.

I love making music, but if you make something that inspires somebody else to make something, without getting too airy-fairy, you've contributed to the zeitgeist in some way, and that's just an amazing feeling.

Being an artist, you soak up imagery, and you put it back out in whatever form you do your own imagery.

I still hope that more people can create art, even though artistic genres may never be the most popular or money-making genres. But the thing is, I think art is more long-lasting. It stays in people, and it changes them.

Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds.

There are two parts to the creative endeavor: making something, then disseminating it.

So to make movies, if you're first goal is to make money, well you can! Make a tent-pole movie that China wants. But that's not the kind of thing that's really going to get your remembered. You're not going to change anything with that. You might become rich from it!

It's easy to attack and destroy an act of creation. It's a lot more difficult to perform one.

If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.

You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen. When you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.

Musicians have the power to influence people and along with movie makers, they can reach and influence more people than any group of people, more than scientists and certainly more than politicians.

The first step - especially for young people with energy and drive and talent, but not money - the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.

Literature usually begets literature.

Like all artists, I want to cheat death a little and contribute something to the next generation.

Well, something must be done for May, The time is drawing nigh-- To figure in the Catalogue, And woo the public eye. Something I must invent and paint; But oh my wit is not Like one of those kind substantives That answer Who and What?

Paul Robeson once said that the artist has the responsibility to either help liberate the community or further oppress it. And I think that when Eldridge Cleaver wrote it down it was interpreted as his, but there's a history of people saying things of that nature and meaning it. And what I do is in that tradition, in that mode.

Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)

The fact that Maurice Sendak said, "This is something that I made at your age, this was something that was personal to me, and now you need to take it and make something that's personal to you." I don't know, but we made the Where The Wild Things Are movie that we set out to make, and Maurice loves it. If Maurice was anxious about it, then I would be petrified.