Albert Camus Quotes

Since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must produce a much greater; for both these arts are not only true imitations of nature, but of the best nature.

I long ago came to the conclusion that even if I could put down accurately the thing I saw and enjoyed, it would not give the observer the kind of feeling it gave me. I had to create an equivalent for what I felt about what I was looking at-not copy it.

It is justly considered as the greatest excellency of art to imitate nature; but it is necessary to distinguish those parts of nature which are most proper for imitation: greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness. If the world be promiscuously described, I cannot see of what use it can be to read the account; or why it may not be as safe to turn the eye immediately upon mankind, as upon a mirror which shows all that presents itself without discrimination.

Life imitates art -- but badly.

The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.

Art has no cosmology, it gives us no view of the universe; every distinct work of art gives us a little cosmology of its own, and no ingenuity will combine all these into a single whole.

Everything in art is but a copy of nature.

Language in art remains a highly ambiguous transaction, a quicksand, a trampoline, a frozen pool which might give way under you ... at any time.

Life is very nice, but it has no shape. The object of art is actually to give it some and to do it by every artifice possible-truer than the truth.

Perhaps the least cheering statement ever made on the subject of art is that life imitates it.

Imitation pleases, because it affords matter for inquiring into the truth or falsehood of imitation, by comparing its likeness or unlikeness with the original.

It is, in fact, safe to assume that, more often than not, life imitates craft, for who among us can say that our experience does not more closely resemble a macramé plant holder than it does a painting by Seurat. When it comes to art, life is the biggest copycat in the matter of the frame.

Sir Joshua would have been glad to take her portrait; and he would have had an easier task than the historian at least in this, that he would not have had to represent the truth of change - only to give stability to one beautiful moment.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

Painters and poets are obliged to exaggerate the proportions of their figures in order to give true perspective.

Art's greatest efforts are invariably a timid counterfeit of Nature.

The form of a work of art, which gives speech to their thoughts and is, therefore, their mode of talking, is always somewhat uncertain, like all kinds of speech.

Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in nature. Art brings it out, and gives it more transparent forms. It is here that art, when it knows well its power and resources, engages in a struggle with nature in which it may have the advantage.

I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.

Your work speaks for you. Your art defines you.

The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.

The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.

No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.

Painting must be fertile. It must give birth to a world.. ..it must fertilize the imagination.

Statistics is the most important science in the whole world: for upon it depends the practical application of every other science and of every art: the one science essential to all political and social administration, all education, all organization based on experience, for it only gives results of our experience.