Jason Calacanis Quotes

The 12-hour workday is not uncommon to anyone anymore.

I drove a blue and yellow Super Shuttle van for two 10-hour shifts on the weekend after a week at ACT of 10 A.M.-10 P.M. I wasn't surviving too much.

I basically work all the time.

When I work, it can be a 16-hour day.

When I'm in meetings until 5am and then have to get up two hours later for filming, sometimes I ask myself 'why?'

I'm working over 80 hours a week and have to keep on track.

If you had to work 14 hour days, Mondays to Fridays, then you have to keep Saturdays and Sundays sacred.

I worked 120 hours a week for eight years. That's 20 to 22 hours a day every day and one week I only got 15 hours sleep.

I work 338 days a year, 16 hours a day.

I work really long days and I work seven day weeks.

I literally have meetings at eight o'clock in the morning, and I finish at nine o'clock at night. It sounds pathetic, but I don't even have time to go shopping.

Any staff that works 24 hours a day, 7 days a week, is bound to get burned out.

Normally, I work 18 hours a day.

I don't have the freaking energy to write a memo. I'm out there saving lives.

I used to work, like, for 16 hours a day, or sometimes 24 hours.

I usually work, like, 27 days in a row and then take one off.

I have gone long stretches of working 60 to 80 hours per week.

It is true I work 16 hours a day.

I can't work 12 hours a day, every day for too long before it burns out.

I am used to working long hours with no sleep.

You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone's tired, things get on top of them.

When I work fourteen hours a day, seven days a week, I get lucky.

I usually work 16-hour days.

I have always been a workaholic.

You get three hours' sleep and then you start all over again. Relentless. Pre-production was almost harder than filming. I was all over the city every day. It was really exhausting.