Charlotte Flair Quotes

I'm a leading man trapped in a bad guy's body.

Are there any good guys on 'Prison Break?' I suppose there might be. I can't honestly say whether I'm a good guy or a bad guy or I'm a good guy in wolf's clothing or sheep's clothing.

When you're playing the good guy, you want to find the dirty parts - and when you're playing the bad guy, you want to find the vulnerability.

It's funny how you can be thought of as somebody who humanizes bad guys, and I'll take that, but it is something that gave me pause, and I started speaking to my team about finding a good guy.

Devil and God – two sides of the same face.

I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.

I think the self is complicated, that at various times we are all various people, and wrestling actually does a lot with that. You have things like heel turns where a person goes from being a good guy to a bad guy.

The nice thing about 'Farscape' is that you got to be the good guy and still do the bad guy things.

People have their complexities. They have their heroic moments and their villainous moments, too.

It's as boring to see a completely evil villain as it is to see a completely good guy.

I think all of us have a hero and a villain in us.

It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.

In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.

Beauty is mysterious as well as terrible. God and devil are fighting there, and the battlefield is the heart of man.

The line separating good and evil passes not through states, nor between classes, nor between political parties either – but right through every human heart – and through all human hearts. This line shifts. Inside us, it oscillates with the years. And even within hearts overwhelmed by evil, one small bridgehead of good is retained. And even in the best of all hearts, there remains…an unuprooted small corner of evil. Since then I have come to understand the truth of all the religions of the world: They struggle with the evil inside a human being (inside every human being). It is impossible to expel evil from the world in its entirety, but it is possible to constrict it within each person.

I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.

It's very true that you can be both selfless and selfish at the same time. What we tend towards, particularly in filmmaking, is this binary sort of, 'This is a good guy, this is a bad guy.' And I quite like the fact that life is a bit more complex than that.

In 'The X-Men' world, one can be a hero one day and a villain the next, which means there's a constant battle for a character's soul that's dynamic. I find that really fascinating.

In real life, I don't think anybody is all one shade. People who are perceived to be really good have bad thoughts and inclinations that they sometimes act on, I'm sure, and people have different sides to themselves.

Mike and I are always drawn to the idea that there is light and dark inside every being, rather than the old two-dimensional trope of good versus evil.

I look forward to parts that have a dimension or depth to them. This makes it interesting for me to do and the audience to watch. Whether he's a chocolate boy die hard romantic or a gangster with swag, every good has a little bad and every bad has a little good in them.

Oh, I am an angel, though sometimes I wish I was more of a devil.

I feel like humans, when you're faced with decisions, you can go up and down: duality.

I love playing roles where it's not just the good guy or the bad guy.

We are double-edged blades, and every time we whet our virtue the return stroke straps our vice. Where is the skillful swordsman who can give clean wounds, and not rip up his work with the other edge?