Herbert Read Quotes

Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the deathline: to dismantle in order to build A SOCIAL ORGANISM AS A WORK OF ART.

The most wonderful time to be in the art world was in the sixties, because it wasn't a business - there was no business of doing art.

The Pre-Raphaelites, while very bothered by what the establishment thought of them, also utterly rebelled against it. In everything - social, sexual, emotional - they were out on a limb, pushing the boundaries.

I will revolutionise art and the world. Hurrah!

My paintings must burn that English artists might finally learn.

Dogmatists of all kinds-scientific, economic, moral, as well as political-are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyers of our nicely ordered systems.

One day humanity will play with law just as children play with disused objects, not in order to restore them to their canonical use but to free them from it for good.

I firmly believe in music being as free as possible. Unlocked. Shared and spread. In order for artists to survive and create, their audiences need to step up and directly support them.

Ah, if I were dictator I'd have poets throwing bombs!

We shall some day be heeded, and when we shall have our amendment to the Constitution of the United States, everybody will think it was always so, just exactly as many young people believe that all the privileges, all the freedom, all the enjoyments which woman now possesses always were hers. They have no idea of how every single inch of ground that she stands upon today has been gained by the hard work of some little handful of women of the past.

If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past's fugitive movements of compassion rather than in its solid centuries of warfare.

This world of ours is a new world, in which the unit of knowledge, the nature of human communities, the order of society, the order of ideas, the very notions of society and culture have changed, and will not return to what they have been in the past. What is new is new, not because it has never been there before, but because it has changed in quality.

If this analysis of history is approximately sound and if the future like the past is to be crowded with changes and exigencies, then it is difficult to believe that the feminism of the passing generation, already hardened into dogma and tradition, represents the completed form of woman's relations to work, interests and society.

There is no reason to believe that the nature of the violent minorities is now greatly different from what it was in the past. What has changed is the will and ability of the majority to react.

Anarchism is no patent solution for all human problems, no Utopia of a perfect social order, as it has often been called, since on principle it rejects all absolute schemes and concepts. It does not believe in any absolute truth, or in definite final goals for human development, but in an unlimited perfectibility of social arrangements and human conditions which are always straining after higher forms of expression, and to which for this reason one can assign no definite terminus nor set any fixed goal.

The line it is drawn The curse it is cast The slow one now Will later be fast As the present now Will later be past The new order is Rapidly fadin'. And the first one now Will later be last For the times they are a-changin'.

...art is something subversive. It's something that should not be free. Art and liberty, like the fire of Prometheus, are things that one must steal, to be used against the established order.

We who hold his (Wolfe Tone) principles believe that any movement which would successfully grapple with the problem of national freedom must draw its inspiration not from the mouldering records of the past, but from the glowing hopes of the living present, the vast possibilities of the mighty future.

I love being part of a project that imparts a positive message, is somehow educational or enlightening, helps to bridge differences, or inspires viewers in some way. I believe a lot of artists become activists because we rely on and value the freedom of expression and so we want to protect it.

What I could have done in real life only by throwing a bomb which would have led to the scaffold I tried to achieve in painting by using color of maximum purity. In this way I satisfied my urge to destroy old conventions, to disobey in order to re-create a tangible, living, and liberated world.

We have to realize our black heritage in order to give us strength to move on and progress. But as far as returning to the old African culture, it's unnecessary and it's not advantageous in many respects. We believe that culture itself will not liberate us. We're going to need some stronger stuff.

I also believe - and hope - that politics and economics will cease to be as important in the future as they have been in the past; the time will come when most of our present controversies on these matters will seem as trivial, or as meaningless, as the theological debates in which the keenest minds of the Middle Ages dissipated their energies. Politics and economics are concerned with power and wealth, neither of which should be the primary, still less the exclusive, concern of full-grown men.

We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it. Our situation today shows that beauty demands for itself at least as much courage and decision as do truth and goodness, and she will not allow herself to be separated and banned from her two sisters without taking them along with herself in an act of mysterious vengeance. We can be sure that whoever sneers at her name as if she were the ornament of a bourgeois past -- whether he admits it or not -- can no longer pray and soon will no longer be able to love.

I believe there are huge numbers of people in this country who would be willing to have radical changes in our economic and social system in order to make it a more egalitarian society and do away with homelessness and hunger and clean up the environment. But these people have no voice. They have no way of expressing themselves. Elections give them no way of expressing themselves.

Art need no longer be an account of past sensations.