Dean Koontz Quotes

I read mostly historical fiction - lots of stuff set in ancient Rome and ancient Greece. I also liked sci-fi and fantasy: David Gemmell, Raymond E. Feist. It's a nice escape from the world. As much as I do love real-life stories, they can often make you hurt in a way I'd rather not hurt.

Real friends. The kind that don't purposely hurt your feelings or stop liking you for no reason.

Through an experience that simultaneously involved my sensibility and intelligence, I realized early on that the imaginative life, however morbid it might seem, is the one that suits temperaments like mine. The fictions of my imagination (as it later developed) may weary me, but they don't hurt or humiliate. Impossible lovers can't cheat on us, or smile at us falsely, or be calculating in their caresses. They never forsake us, and they don't die or disappear. --The book of Disquiet

Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.

I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.

Music could ache and hurt, that beautiful music was a place a suffering man could hide.

Books make me feel safe. Books make me feel normal.

When it's in a book I don't think it'll hurt any more ...exist any more. One of the things writing does is wipe things out. Replace them.

I loved rain for making home seem home more deeply, and I suspect that is why, from as far back as I can remember, I also loved those books I read and the people I met in them and the worlds they opened up to me. Like a house in the rain, books were havens of permanence and protection from whatever it was that as a child I needed protection from.

I heard somebody open and shut the gate to the barn lot, but I didn't look around. If I didn't look around it would not be true that somebody had opened the gate with the creaky hinges, and that is a wonderful principle for a man to get hold of... What you don't know know don't hurt you, for it ain't real. They called that Idealism in my book I had when I was in college, and after I got hold of that principle I became an Idealist... If you are an Idealist it does not matter what you do or what goes on around you because it isn't real anyway.

One of my obsessions in life is that we have the tools to manufacture moments and real things, but it's overwhelming and there's a lot of fear and you think maybe you'll be rejected or embarrassed or somehow hurt emotionally. So we don't do the things we know we can do, but we can make people feel better and make people happier with compliments or just being positive and that sort of thing and sending it their way.

When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.

Books are more real when you read them outside.

A writer writes a book. People read it. You don't know what they're reading, really. You read a review and think, "That is so inaccurate. You can't have been reading my book with any kind of attention, because that is all wrong, that's even the wrong name you're including there." But these reviewers have been diminished in importance, the work is so little respected. If you're reviewed by a real critic, by James Wood or Louis Menand, then you get something that is informed, interesting, and highly articulate. But the average review doesn't have that kind of depth anymore.

If you can show me how I can cling to that which is real to me, while teaching me a way into the larger society, then and only then will I drop my defenses and hostility, and I will sing your praises and help you to make the desert bear fruit.

Who has a book of all that monarchs do, He's more secure to keep it shut than shown; For vice repeated is like the wand'ring wind, Blows dust in others' eye, to spread itself; And yet the end of all is bought thus dear, The breath is gone, and the sore eyes see clear To stop the air would hurt them.

For me one of the most important things is not feeling like you have to protect yourself if you're with a real friend.

So, when people try to give you some book with a shiny round award on the cover, be kind and gracious, but tell them you don't read "fantasy," because you prefer stories that are real. Then come back here and continue your research on the cult of evil Librarians who secretly rule the world.

Rose, do you think I'd do anything that would hurt you.- Dimitri to Rose

My soul found ease and rest in the companionship of books.

I took a deep breath. 'For you I've got something better than love.' What's that?' I...trust you.' Why?' You'll never hurt me.' Thank you.' But...' But, what?' I said, 'That means I'll hurt you.' Why?' 'Cause, like I said, you'll never hurt me back.

The real power of books is their deep companionability. We learn from them as we learn from the deep companionability of love to know our own hearts and minds better.

books have been my greatest comfort, castle-building a never-failing delight, and scribbling a very profitable amusement.

I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.

Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.