Yo Yo Honey Singh Quotes

I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.

I wanted to have a go at a pop career. My first single, 'Baby I Don't Care', was a hit, and the second, 'Bye Bye Boy', reached the Top 20.

To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.

Videos have to go hand in hand with your music, so that's why, ultimately, they should be created by the artist. And if they're not, it doesn't really add up to me.

I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.

I must tell you, to get started today must be very difficult 'cause whatever it takes today is very tough. They have to invest a million dollars in a video just to see if you have a hit record.

It was hard to work and work and work and not get your music played on the radio.

On YouTube, when you have a big viral success with a song that isn't your own, the natural inclination for most YouTubers is to keep doing that. What you really should do is show people that you actually have substance and can write your own music.

I've always loved music videos - I used to make my own for bands like Pearl Jam. My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.

Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested.

There was a time when country never used to do videos.

You rarely get money out of labels, except for when they open up a budget for a project. Other than that, it's a do-or-die type thing.

Nowadays you need so much money to be able to launch a new artist, notably in America; you would hardly believe the sums involved.

I've always wanted to make a music video with skating and different imagery, something very artistic.

The way Aventura became successful was so weird. We didn't have a major label. They say everything has a reason, but it's not easy to find. The only thing that was right was the music.

Musically, I wear many hats. I'm the social media director. I conceptualise the videos, write the songs, do the press. I'm not a major label act.

My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.

I really want to make a great record, like my 'Rumours' or 'Thriller.'

When 'Flaws' went to No 21, we thought it was the most chart-bothering thing we'd ever do. We had a little party and started thinking about the next album.

Success happened for me when I dropped my first major label album for Def Jam, 'Live From The Underground.'

Every dollar I made from DJing, I put into my videos, promotion - everything.

My primary goal is to be a solo artist releasing original music.

The video was of paramount importance, because 'Take on Me' was not an instant hit.

When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'

I'm really thrilled and excited about my first single with Dhvani Bhanushali.