Irvine Welsh Quotes

In addition, I'm finishing a track for the movie 'Waking Up In Reno', but there are numerous other singers I look forward to recording with in the near future.

If you got a vibe with a producer I think you should go full-fledged instead of being satisfied with two songs.

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.

I'm also working on a track for Howard Hewett, and a theme for a new NPR show.

I never really made a full album in Los Angeles before.

I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.

Right now we're in the process of writing new material for a new record.

I was about 11 when my mother brought me this karaoke machine and I was really into it back then, but about 4 or 5 years ago is when I started printing up my own music, going to the studio and doing my own thing.

My first album was completed in three months.

I know what it takes to put a record together, so I'm not looking for people to come in and shape it.

How did George Bensen cut 'In Your Eyes?' How did I work with the Backstreet Boys? It all comes back to 'Sometimes When We Touch.'

I've always had a lot of creative impact on the music with Timbaland.

Puffy produced four of the tracks on the album. Those are the four songs that are collaborations between Puffy and me. And he gives me my space to work even when we work together, like with my producer and my vocal coach.

Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.

I like working with other people but I'm not a songwriter, I'm a producer.

That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.

I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.

If someone pitches me a really great idea for an album, I would do it.

That's one of the reason T-Bone Burnett calls me... he thinks I'm used to doing what I do in the studio for him.

Working with Babyface was legendary.

One of my favorite things is producing other artists because, in many ways, it's a lot more freeing than working on your own music.

Back in Korea, I'm always in the studio with YG people. I'd be given a song, and I'd cut it.

I would love for Radiohead to give me a call and say, 'Hey, kid, we wanna see what it's like working with you. We want you to produce our next record.'

A lot of people have been sending me beats, I've just been getting it in.

I've been working with a lot of different producers.