Zoe Bell Quotes

I've never cared for the idea of a career path, or where a film might 'take me.' My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.

I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'

Every movie that I've picked, from my first film on, has been considered by everyone to be 'career suicide.' And I have an amazing life. I have an amazing career. I work with artists. But I'm not making 'Spider-Man.'

I've been fortunate, I guess: I've gotten to play a lot of very diverse roles for quite a long time. But in the beginning, I was thinking, 'I'm not gonna do certain characters. I will be willing to say no and live on a couch.' And I was really happy.

I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.

When I was playing, it would be whatever role I wanted. Now it's whatever they ask me to do, which I kind of like better.

I really like trying to find the roles that are actually really meaningful to me.

What you aim for, as an actor, is to be able to play a range of different roles.

I'm not George Clooney, so I can't just pick and choose. I take roles where they occur.

I do just want to be an actor. The thing I get out of it is actually doing the job and inhabiting the world and the role - and I mean that genuinely. That's what I'm in it for.

This way, if I did the album myself, and I produced it myself with my own label, it was going to be done the way I wanted to do it. If people like it or don't like it, it doesn't matter; I got something that means something to me.

If I hadn't refused Ken Russell, Fellini and Spielberg and made their movies when they asked me, my life would be no different. It is not my fault that I accepted one movie and turned down another. I don't see any point in defending myself, either.

I don’t demand that all work be a masterpiece. What I am doing is the right thing for me - that is what I am and this is living. It reflects me and I reflect it.

I’m not trying to satisfy anybody but myself and the role that I’m playing.

For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.

I love to take chances. I love first-time directors. I love super-low-budget movies. I've done 80-something movies, and I want to just keep experimenting. First-time directors have new, fresh ideas, and lot of times they're risking a lot to do it, so it means so much to them. They're not just hired; they have their heart on the line, because if you've gone that far, you're probably a very passionate person.

The world of the arts is by no means always comfortable, but neither is it likely ever to be boring. It is full of surprises, humor, traps for the unwary, and challenges to smugness. It is a world of moods as well as of revelation, of beliefs and fears, of unpleasant truth as well as of delicious fantasy. Perhaps it is arrogant to say that anyone who does not venture into this world is only half-interested in life. I say it, nonetheless.

To me to be a solo artist means I can do so many new and exciting things and I feel very strongly that one must evolve and grow. I love being a bass player and I feel really good that I was able to spend a focused chapter defining that role, but I'm not someone that likes being in the same role forever.

Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.

Definitely. Cate Blanchett or Meryl Streep, Julianne Moore - women that have no boundaries, no borders. They can do anything, They can be any character and you accept it and go with it as a viewer, and as an audience member. That's the kind of career that I'm looking for.

You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.

My dream is to do exactly what I'm doing. I love writing and directing, and being somebody that can write about an artist I love or make a film about it. That's great. I would leave the other stuff to those who do it much better.

Success means we go to sleep at night knowing that our talents and ablities were used in a way that served others.

Get a job and when you earn a little bit of money, then you can do more good. Then bringing your values doesn't mean you have to compromise yourself. You got to get over this idea that you can't work for a big corporation, or for big oil or bigger pharma, because actually, those are some of the great jobs are and you can do good there.

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer.