Mia Goth Quotes

I'd love to venture into TV or do some gritty dramas - Guy Ritchie, that kind of thing.

TV and film were always governing passions of mine, and that first wave of great HBO shows in the early years of the millennium was feeding my desire for fiction more than the books I was reading.

I love 'Breathless,' and 'Paris, Texas,' and 'Badlands.' I was obsessed with those films in my teens. I remember watching 'Badlands' and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.

Obviously, I'm attracted to heavier movies.

I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.

I like to make all kinds of movies. I'd do 'Ocean's Thirteen' with the right script.

I would consider doing any part as long as the script is good and the film has an interesting director.

I like independent films... European films. I do go and see popular films as well because my kids force me.

You usually find me writing what I like to think of as intelligent summer action and genre films.

If it's a drama or comedy, it doesn't matter to me. I just want to like the writing.

I keep surprising myself with films like 'Mission Kashmir,' 'Albela,' 'Farz,' and 'Bas Itna Sa Khwaab Hai.' All the roles are very different.

I always wanted to work with Ashutosh Gowariker because of the interesting ways in which he depicts stories in his films.

I hardly watch commercial films but I have nothing against them.

It was very important to me to choose a director like Gary [Ross], whose instincts come from character, who's a storyteller, and who puts characters first.

All of the good movies are based on how that story was told. And you cannot do it with a bad script, that's for sure, no matter who.

I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.

If Wes Anderson has a very strong cast, he can direct the minutia of that story and still manage to have something that lives and breathes.

I don't think the written word is important in movies anymore and the really great movies are done by great directors who in many cases write their own scripts. I think it's gotten to be more of a visual thing than an audible thing.

I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.

I'm not fixed in any genre. I love all kinds of films. The essential thing is; you have to have good material. If you have the filmmaker, and the material, and the script is good, you can start from there.

I want to be able to make westerns like Akira Kurosawa makes westerns.

At the end of the day you do have to write a short novel beforehand, called a script, before you can make a movie.

I'm working on a project called Lemons, produced by Killer Films. The director has a great perspective on character development.

Most of the time I've worked with directors who write their own scripts. The story is more important to me than the part. The project of the film has always been more important to me.

I think every time you take on a new role, you're trying to help find that voice and you add your own bits and pieces along the way but with Noah [Baumbach] it's already done.