John Tesh Quotes

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

I'm such a coward that unless I get a good writer, I don't want to make a picture.

My stories are never quite good enough.

I was very afraid to write a novel - it was a dream for a very long time, and it was one of the few things that I was afraid to try.

When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.

Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.

Like lots of people who say, 'I'm going to write a novel,' it's actually more comfortable to think I could write a novel than to discover that you can't.

I'm not sure I have the physical strength to undertake a novel.

Creating the characters is the most creative part of the novel except for the language itself. There I am, sitting in front of my computer in right-brain mode, typing the things that come to mind - which become the seeds of plot. It's scary, though, because I always wonder: Is it going to be there this time?

You don't sit up in a cave and write the Great American Novel and know it is utterly superb, and then throw it page by page into the fire. You just don't do that. You send it out. You have to send it out.

I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.

I found my first novel difficult. I don't want to make it sound like it's any more difficult than driving a cab or going to any other job, but there are so many opportunities for self-doubt, that you just kind of need to soldier on.

Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.

Writing a novel is a huge adventure; when it's going well it's more fun than fun. When it stutters to a halt put it aside. Go for a swim, go for a walk, take a week off. Don't panic or be afraid; you and your characters are in it together. Trust them to come to your rescue.

I used to write stories and poetry, but for some reason I have it in my head that if I'm going to write, I have to write a script.

With a novel, no matter where I am in it, I'm fretting about it. Every time I write a book, it starts with great forward momentum. Then there seems to be a period where it slows down a bit, and other things intervene. Then I gain momentum.

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.

I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.

My main piece of advice would be don't worry about being published - just write a really good book, but also don't be afraid to write a bad book. Give yourself permission to fail, and don't be afraid.

I'm excited and terrified to write something new. I won't be writing about suburbia.

I wanted to be a writer, but at the time, I spent my days working a retail job, my nights sleeping in my childhood bedroom, and while I had written short stories here and there, I didn't know how to write good fiction anymore than I knew how to perform good brain surgery.

To make it interesting and worth doing, writing a novel has to be a leap into the unknown. I have to be unsure if I can write it; otherwise, I won't want to.

When you're an established name, you know that a children's book will have a pretty good chance of getting picked up. Like Madonna. It's not that I had this great idea. Actually, in my case, it was a great idea.

I keep telling myself I should try very hard to write a novel of about 210 pages... I don't seem to be capable of it, but I keep hoping it will happen.

My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am.