Kerry James Marshall Quotes

I believe black characters in fiction are still revolutionary, given our long history of erasure.

I want to see designers capitalize on a beauty that is not only white. I need them to stop acting like beautiful black and brown women do not exist.

There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.

In Australia, there just weren't strong roles for actors of colour. I was often being asked to turn up for commercials with a ghetto blaster on my shoulder. I thought, 'Are we in the '60s?'

Certainly, living in the U.S., as I have for over two decades, you see how Asians are portrayed in the media... I didn't see myself represented, you know, when I used to look at ads on TV.

When you're told that as a filmmaker of colour, the stories you want to tell aren't commercial enough, then you start thinking, 'I'm going to tell them anyway.'

My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.

People are tired of mainstream media's limited and confined portrayal of people of color.

'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'

When I do a picture and it's 90% black, like 'Bird,' I use 90% black people.

African-Americans are always forced to learn the other culture, but the other culture is not forced to learn ours. I went to acting school at Juilliard, and we learned Shakespeare and Shaw, but we never did the work of a single African-American playwright, not August Wilson or Ntozake Shange or Imir Baraka.

I think Hollywood is so driven by money, the people who are making the decisions are not necessarily reflective of the melting pot, so what stories are you going to want to tell? You're going to want to tell stories about yourself.

There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.

You cannot collectively, as a society, decide that you are only going to represent one part of a minority. It's like saying you've represented black people on television because you aired an episode of the 'Cosbys.'

Point-blank, there is not enough diversity in media.

The way Hollywood and TV is, black people don't have any choice but to see ourselves in white-dominated television shows and stories and movies.

I loved films like 'When Harry Met Sally' and 'Annie Hall,' but these were very specific, white Manhattan experiences. You don't see a single person of color anywhere, but somehow these films are universal. As a filmmaker and creator, I was frustrated with that idea.

I want all types of people to look at my work and see themselves, just like I watch a Reese Witherspoon movie as a black woman and can empathize with her because we have had to internalize whiteness in that way to survive.

I feel like being vocal on social media, especially working in an industry that is very Eurocentric.

My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.

I knew nothing of American History because I didn't pay attention to American History in school. Because I did not see myself in American History in school.

Of course I worry about whitewashing, and I feel very strongly that whitewashing was, is, and continues to be a problem in entertainment.

I don't think it pays to just be an artist, particularly for kids of color - there will be fewer roles.

The majority of the DC and Marvel comic lines are white male characters, and the minute you make Thor a woman or Captain America a black guy, the Internet is filled with hateful comments and people saying, 'That's not what Captain America is supposed to look like.'

Hollywood had a history of whitewashing and not representing.