Trisha Yearwood Quotes

Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.

Music is also a part of who I am so I'm thinking about recording an album.

I don't have to be working on an album to record a song.

For the most part, I like to record music as I write it.

Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.

Television is not like making records. I wanna tell all you kids, do not try this at home, 'cause it's hard. It takes a lot of hard work, a lot of practice, and a lot of different takes.

I can't stand making records.

To me, making records isn't work.

That's the thing I love the most - making records and creating new things. That's always the thing that grabbed me. Making records is the thing that I really love.

I'm a studio rat.

I love to be in the studio. That's what I like to do best.

It's no secret that my favorite part of the process is making records; if I'm not making them with Flatts, then I'm out producing them on other folks.

Great musicians need great producers. The Beatles had George Martin.

On the 'Escondido' album, I think it took us a month to make that album.

My first love is making records, and whatever's necessary in order for me to achieve that, I'll learn how to do it.

I'm always going to do that - record and make music.

I've had a couple of guys that I've had co-produce records with me through my career, and it's fun to work with a co-producer.

I didn't even recall being on the DB sessions until Herbie Flowers reminded me a couple of years ago.

Making records should be fun.

I'm always writing songs, and I've got a bunch that I want to record.

It don't take me no three days to record no album.

I was about 11 when my mother brought me this karaoke machine and I was really into it back then, but about 4 or 5 years ago is when I started printing up my own music, going to the studio and doing my own thing.

One other thing, if it's possible, as songwriters, you should also develop yourself as record producers.

I know what it takes to put a record together, so I'm not looking for people to come in and shape it.

How did George Bensen cut 'In Your Eyes?' How did I work with the Backstreet Boys? It all comes back to 'Sometimes When We Touch.'