Simone de Beauvoir Quotes

Everything I involve myself with is an extension of me, so I take everything super seriously, from the music to the shows. That's the only way to do it.

[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.

I'm pretty involved in everything I do, which isn't always efficient and doesn't necessarily make for the more successful product. But I do feel that, in that sense, everything I do has a comprehensiveness to it.

The only living works are those which have drained much of the author's own life into them.

No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.

I really emotionally invest in everything that I do.

I think anybody who is writing finds he puts a little bit of himself in all of the characters, at least in this kind of a strip. It's the only way that you can survive when you have to do something every day. You have to put yourself, all of your thoughts, all of your observations and everything you know into the strip.

The thing that is really hard about adaptation is that I try to only pick things I love because if it is something where you think, "Oh, that sounds like an interesting idea but I don't love it," then I can't do my job well.

Anyone who knows me knows I can be a control freak with things I love doing. I love doing fashion and I love writing, so everything I've done I'm really involved with, so it's not really work to me because I'm enjoying it.

Anything that I've put my name to and my face to and put my time into, is something that I'm clearly passionate about, or I wouldn't be there.

When it came down to it, he just wasn't that engaged. You had to be engaged to be a vegetarian; you had to be engaged to sing "Both Sides Now" with your eyes closed; when it came down to it, you had to be engaged to be a mother.

To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.

The writer must be in it; he can't be to one side of it, ever. He has to be endangered by it. His own attitudes have to be tested in it. The best work that anybody ever writes is the work that is on the verge of embarrassing himself, always.

I'm the kind of person who has to totally commit to whatever I do.

Enthusiasm means everything. Not just a little. Everything. If you are involved in some kind of project right now, or launching any personal endeavor, your enthusiasm (or lack of it) will directly determine how successful this undertaking will be. If you are not excited at the core of your being by it, drop it right now. If you are excited at the core of your being, demonstrate that in everything you think and say and do.

You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much.

Start early and work hard. A writer's apprenticeship usually involves writing a million words (which are then discarded) before he's almost ready to begin. That takes a while.

Basically my personality, and my talent, and my lyrics are so outstanding that what listeners can tell is that I put so much hard work into what I'm doing because it comes through my music. So I feel that my music for one will get my point across. I write from my heart and my spirit... You know what I'm sayin'? Some people don't know their place, they're just like "Oh I rap because I'm tryin' to get this or that, and I'm doin' this because I want to get money.

I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.

I think you take a job, you owe it as much passion as the job itself demands. And most jobs demand that you be totally committed.

I'm definitely not a guy that comes in the dressing room saying, "Hey, everybody, what a wonderful life." I'm usually brooding about something I think is wrong. I care so much about getting the music right, and if I think someone's slacking I get very upset about that. I just can't go on stage and say, "Another day, another dollar," which I've heard a few people say: I can't go along with that at all. It's got to be as good as you can do - to my own detriment.

I don't like speaking on things that I don't care about and that I'm not personally invested in.

He did each single thing as if he did nothing else.

To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize, so if I do something, it just has to be something I love and I don't want anyone else to do.

The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.